LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Giovanni Antonio Canal (called Canaletto)
Piazza San Marco Looking South and West1763

Not on view
Oil painting of a grand Italian piazza with a tall brick campanile at center, flanked by colonnaded stone buildings, populated by small figures in period dress under a pale blue sky
Artist or Maker
Giovanni Antonio Canal (called Canaletto)
Italy, Venice, 1697-1768
Title
Piazza San Marco Looking South and West
Place Made
Italy
Date Made
1763
Medium
Oil on canvas
Dimensions
Canvas: 22 1/4 × 40 1/2 in. (56.52 × 102.87 cm) Frame: 36 × 53 1/2 × 4 in. (91.44 × 135.89 × 10.16 cm)
Credit Line
Gift of The Ahmanson Foundation
Accession Number
M.83.39
Classification
Paintings
Collecting Area
European Painting and Sculpture
Provenance

The Honorable Mrs. John Ashley (née Julia Conyers, d. 10 Apr. 1907),(1) Shaftesbury, probably by inheritance to her husband’s nephew; Rt. Hon. Evelyn Ashley (1836–1907),(2) (sale of the estate of Mrs. John Ashley, London, Christie’s, 31 May 1907, lot 83). [Duveen Brothers, London]. William P. Clyde (d. 1923),(3) New York (his sale, New York, American Art Association, 25 Mar. 1931, lot 148, ill.). Dr. Benjamin Borow, Bound Brook, NJ (sale, London, Sotheby’s, 27 Mar. 1963, lot 83, bought in by K. Grenfell). Anonymous, presumably Benjamin Borow (sale, London, Sotheby’s, 30 June 1971, lot 98, sold to); Peretti. [Herner and Wengraf, London]. [Nahmad, Milan].(4) [Possibly Dino Fabbri, New York, Zürich, and Milan](5) (sale, London, Sotheby’s, 1 Nov. 1978, lot 50, bought in). [Harari & Johns, Ltd., London, sold 1983 to]; LACMA.

Footnotes

(1) (Anthony) John Ashley (1808–1867) was the fourth son of Cropley Ashley Cooper (1814–1851), 6th Earl of Shaftesbury, and his wife, Anne (ca. 1774–1865), the fourth daughter of George Spencer (1738/39– 1817), 4th Duke of Marlborough, and his wife, Lady Caroline Russell, only daughter of the 4th Duke of Bedford. On 17 March 1840 John Ashley married Julia, eldest of three daughters of Henry John Conyers (1782–1853), of Copt (aka Copped) Hall, Essex. John and Julia Ashley lived at Copt Hall until his death in 1867. Two years later, in 1869, his widow sold the estate. She died on 10 April 1907, less than two months before the sale of the collection. The couple died without issue, presumably passing the estate to John Ashley’s nephew Evelyn Ashley.

(2) Evelyn Ashley (1836–1907) was the second son of Anthony Ashley Cooper, 7th Earl of Shaftesbury, and thus the nephew of John. He died on 15 November 1907, presumably inheriting his uncle’s estate following the death of his uncle’s widow on 10 April 1907, and had been responsible for the sale of the paintings at Christie’s in May 1907.

(3) Onetime head of Clyde Steamship Co. and Robbins Dry Dock and Repair Company, New York.

(4) International family of art dealers of modern and Impressionist art beginning in the 1960s, the family was originally from Syria, moved to Lebanon, then Milan, Monaco, and New York.

(5) According to an inscription on an unidentified sale catalogue. Dino Fabbri and his two brothers were partners in the Italian publishing firm known as Fratelli Fabbri Editori, which published, among other things, many art books.



Selected Bibliography
  • Lehmbeck, Leah, editor. Gifts of European Art from The Ahmanson Foundation. Vol. 1, Italian Painting and Sculpture. Los Angeles: Los Angeles County Museum of Art, 2019.