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Collections

Possibly by Manohar
Emperor Jahangir (r. 1605-1627)1620-1625

Not on view
Ink and watercolor drawing on aged paper, full-length profile portrait of a standing man in a white jama, pearl necklaces, jeweled ornaments, and embroidered cap, holding a staff
Mughal miniature painting on paper, three-quarter-length figure of a man in strict profile, wearing a jeweled turban, pearl necklaces, and an embroidered jama, holding a small cup in one raised hand and a decorative vessel at the waist, rendered in fine ink line with delicate pale washes on a warm ochre ground.
Artist or Maker
Possibly by Manohar
India, active 1582-circa 1624
Artist or Maker
Abu'l Hasan
India, active 1600-1630
Title
Emperor Jahangir (r. 1605-1627)
Place Made
India, Mughal Empire
Date Made
1620-1625
Medium
Ink and opaque watercolor on paper
Dimensions
4 1/8 x 2 1/8 in. (10.48 x 5.4 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.83.1.5
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Emperor Jahangir (r. 1605-1627) was born in 1569. His birth name was Nur-ud-din Muhammad Salim. He was known as Shah Salim during his rebellion from his father Emperor Akbar (r. 1605-1627), when he established an independent court at Allahabad in 1600-1604. He had been given the name of Salim in honor of Shaikh Salim Chishti (1478–1572), a revered Sufi saint in whose abode he was born in Sikri, near Agra. In this sensitive nim qalam (half-pen) lightly tinted drawing, Jahangir wears a delicately colored cloth turban (pagri) topped with a feather plume (jigha). He wears a pierced pearl earring indicating that he is an ‘ear-bored slave’ or follower of the Sufi saint Khwaja Muin al-Din Chishti (1143–1236), which he began wearing in August 1614 after crediting the saint with his recovery from a severe illness. Around his neck he wears two strands of pearls, an amulet case (see M.76.2.25), and what may be a miniature portrait (shast). He wears a long white coat (jama) with a border matching his turban decoration and a waist sash with a bird-headed knife suspended from it. In his right hand he holds a white jade wine cup (see M.76.2.1). His left hand grasps the grip of a “Firangi” (European) straight sword with a basket hilt and pommel spike.

A closely similar drawing of Jahangir wearing a miniature portrait pendant and an archer’s thumb ring (see AC1995.168.1) instead of holding a wine cup, and grasping the same style sword is in the Rhode Island School of Design Museum (81.230).

Selected Bibliography
  • Markel, Stephen. Mughal and Early Modern Metalware from South Asia at LACMA: An Online Scholarly Catalogue. Los Angeles: Los Angeles County Museum of Art, 2020. https://archive.org/details/mughal-metalware (accessed September 7, 2021).
  • Komaroff, Linda, editor. Dining with the Sultan: The Fine Art of Feasting. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books, 2023.