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2025 AHAN: Studio Forum Acquisitions
- June 30, 2026
- Contemporary Art Department
Catherine Opie Takes Our Photo
- May 27, 2026
- Alexander Schneider
“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”
- May 26, 2026
- Tariq Nasir Grissom
“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”
- March 27, 2026
- Sheridan Hunter
Transforming a Masterpiece of Impressionism into Something You Can Hold in Your Hands
- January 22, 2026
- David Bardeen, Briana Lopez
50 Works 50 Weeks: Paolo Veronese’s “Allegory of Navigation with an Astrolabe” and “Allegory of Navigation with a Cross-Staff”
- December 10, 2025
- European Painting and Sculpture Department
50 Works 50 Weeks: Ruth Asawa’s “Untitled” (S.027)
- September 10, 2025
- Alexander Schneider
“I wanted to be a digital witness”: Daniel Canogar on “Wayward”
- July 2, 2025
- Katie Booth, Daniel Canogar
50 Works 50 Weeks: Jean-Auguste-Dominique Ingres’s “Odalisque”
- June 25, 2025
- European Painting and Sculpture Department
A Work That Doesn’t Arrive—It’s Made
- June 10, 2025
- Frances Lazare
Advancing Sustainable Conservation: LACMA’s Research on Greener Technologies for Cultural Heritage
- June 6, 2025
- Chiara Biribicchi, Jessica Chasen, Laura Maccarelli
A Bold New Genre: Manuel de Arellano's Precursors of Casta Painting
- April 30, 2025
- Ilona Katzew
Cleaner, Faster, Greener: Rethinking How We Build Websites
- April 21, 2025
- Christianne Hanych
Curating Evading Capture: Black Women in Cinema
- December 27, 2024
- Madeleine Hunt-Ehrlich
Erick Calderon’s Chromie Squiggle 9,999
- August 21, 2024
- Dhyandra Lawson
Take a Tour of Dining with the Sultan: The Fine Art of Feasting
- August 2, 2024
- Linda Komaroff
Catch Jennifer West's Video Work on the Stark Bar Screens
- July 2, 2024
- Rita Gonzalez, Erin Wright
Nancy Baker Cahill: Substrate
- June 25, 2024
- Nancy Baker Cahill, Shereen Moustafa, Mark Sosa, Casper Torres, Miguel Zavala-Lopez
American Artist: The Monophobic Response
- June 21, 2024
- Editors
The Elusive Body: Mark Bradford and David Hammons
- June 19, 2024
- Dhyandra Lawson
“I use the computer to explore what it means to be a human”: Tyler Hobbs’ Connected for the Moment 1 and Discrete Affection #3
- June 18, 2024
- Caitlin Spencer
A Custom-Built Glass Façade for the David Geffen Galleries
- April 8, 2024
- Editors
Rubén Ortiz Torres's Dead Heads Envisions a New Kind of Monument
- February 16, 2024
- Rubén Ortiz Torres
Remedial Repairs for a Punctured Painting of Buddha Seokgamoni
- February 12, 2024
- Alexa Machnik