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Collections

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Vaishnavi and Varahi Fighting Asuras (recto), Kaumari Fighting Asuras (verso); Folio from a Devimahatmya (Glory of the Goddess)1703

Not on view
Indian manuscript page with Devanagari text beside a painted scene of a multi-armed goddess riding a peacock, surrounded by animal-headed and human figures on a red ground
Artist or Maker
Unknown
Title
Vaishnavi and Varahi Fighting Asuras (recto), Kaumari Fighting Asuras (verso); Folio from a Devimahatmya (Glory of the Goddess)
Place Made
India, Rajasthan, Sirohi, Balotra
Date Made
1703
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image: 5 1/8 x 6 3/8 in. (13.01 x 16.19 cm); Sheet: 5 1/8 x 8 1/8 in. (13.01 x 20.63 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.81.280.4a
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dating from circa 550 CE, the Devimahatmya (Glory of the Goddess) is a devotional text of 700 Sanskrit verses that extol the Goddess (Devi) as the supreme power and creator of the universe. The verses were interpolations to the earlier Markandeya Purana dating from circa 250 CE and then extracted as a stand-alone text. The Devimahatmya describes the Goddess in her various aspects triumphing over the demons Madhu and Kaitabha, Mahishasura, Dhumralochana, Chanda and Munda, Raktabija, and Shumbha and Nishumbha.

Recto: In this bipartite composition, the left-side scene is a four-armed Vaishnavi holding her upper right hand in the ‘fear-not’ gesture (abhaya mudra) and carrying a dagger, sword, and discus. She rides Garuda, the half-avian, half-man Vaishnava vehicle. She fights an elderly warrior. The right-side scene is a two-armed Varahi shooting an arrow. She rides a buffalo (right) and fights three demon warriors (asuras).

Verso: A four-armed Kaumari holds her upper right hand in the ‘fear-not’ gesture (abhaya mudra) and carries a sword, mace, and trident. She rides a peacock and fights four demon warriors: a buffalo, bear, fallen soldier with a sword and shield, and weaponless squatting man.

See their series mates M.81.280.4b and M.2001.229.1a-b. Additional folios from this dispersed series are in the San Diego Museum of Art (1990.896-.897) and a private collection.

Selected Bibliography
  • Pal, Pratapaditya. The Classical Tradition in Rajput Painting. New York: The Gallery Association of New York State, 1978.