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Indra Fighting Mahishasura (recto), Vishnu Subjugating Madhu and Kaitabha (verso); Folio from a Devimahatmya (Glory of the Goddess)1703

Not on view
Indian manuscript painting, horizontal battle scene with mounted archers on horses and elephant, fighting and fallen warriors in opaque pigments on paper with Devanagari script in margins
Illustrated manuscript folio with Devanagari script in black and red ink at left; miniature painting at right depicts a blue-skinned, four-armed deity seated in lotus position on a reclining figure, set against a red background with lotus flowers and fish, framed by stepped yellow and orange borders.
Illustrated manuscript page with Devanagari script in red and black at left; painted miniature on right shows a four-armed blue deity seated in lotus position on a prone figure, holding ritual objects, against a red background with lotus pads and fish, framed by a stepped gold and yellow border.
Artist or Maker
Unknown
Title
Indra Fighting Mahishasura (recto), Vishnu Subjugating Madhu and Kaitabha (verso); Folio from a Devimahatmya (Glory of the Goddess)
Place Made
India, Rajasthan, Sirohi, Balotra
Date Made
1703
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image: 5 1/8 x 6 1/4 in. (13.01 x 15.87 cm); Sheet: 5 1/8 x 8 1/4 in. (13.01 x 20.9 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.81.280.4b
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dating from circa 550 CE, the Devimahatmya (Glory of the Goddess) is a devotional text of 700 Sanskrit verses that extol the Goddess (Devi) as the supreme power and creator of the universe. The verses were interpolations to the earlier Markandeya Purana dating from circa 250 CE and then extracted as a stand-alone text. These folios may illustrate episodes of the Goddess triumphing over Madhu and Kaitabha (Chapter 1) and Mahishasura (Chapters 2-4).

Recto: In this folio [#23], Indra, the King of the Gods, rides Airavata, his multi-trunked white elephant vehicle. He has four arms, with which he shoots an arrow and holds an elephant goad and unknown attribute (image cut off in painting). Seated behind him is a crowned archer, probably his son Jayanta. Beneath them are a princely man carrying a sword and a warrior. They are fighting the demon Mahishasura, who is portrayed in a human form on horseback, and two warriors beneath him, one of whom is aiming a musket. In the foreground are three fallen combatants.

Verso: Vishnu, the God of Preservation, sits triumphantly on the slain bodies of the demons Madhu and Kaitabha while floating on the cosmic ocean. His upper two hands hold a mace and discus, while his lower two hands grasp the demons’ ponytails. The demons’ broken daggers and swords are strewn below.

See their series mates M.81.280.4a and M.2001.229.1a-b. Additional folios from this dispersed series are in the San Diego Museum of Art (1990.896-.897) and a private collection.

Selected Bibliography
  • Pal, Pratapaditya. The Classical Tradition in Rajput Painting. New York: The Gallery Association of New York State, 1978.