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Collections

Unknown
Idealized Portrait of the Mughal Empress Nur Jahan [?] (1577-1645)circa 1725-1750

Not on view
Mughal-style watercolor and ink portrait of a bejeweled woman in profile, holding a gold cup and a white flask, with detailed jewelry and an ornate turban

Unknown, Idealized Portrait of the Mughal Empress Nur Jahan [?] (1577-1645), circa 1725-1750, Los Angeles County Museum of Art, Gift of Diandra and Michael Douglas, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Idealized Portrait of the Mughal Empress Nur Jahan [?] (1577-1645)
Place Made
India, Rajasthan, Kishangarh
Date Made
circa 1725-1750
Medium
Opaque watercolor and gold on paper
Dimensions
11 5/8 x 8 1/2 in. (29.52 x 21.59 cm)
Credit Line
Gift of Diandra and Michael Douglas
Accession Number
M.81.271.7
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes
The Mughal Empress Nur Jahan (birthname: Mihrunissa) was born in 1577 in Kandahar, Afghanistan. Nur Jahan was the favorite wife of the Mughal Emperor Jahangir (r. 1605-1627). She was the daughter of the Persian noble Mirza Ghiyas Beg (later known as Itimaduddaula (Pillar of the State), Prime Minister of the Mughal Empire, 1611–1622) and his wife Asmat Begum. She was married at the age of seventeen to the Iranian Sher Afgan Khan (or Ali Quli Istajlu, d. 1607), who subsequently killed Jahangir’s foster brother Qutbuddin Khan Koka (1569-1607). In 1607, after her husband was slain in retaliation, Nur Jahan was brought to Agra and served as a handmaiden to Jahangir’s mother, Ruqaiya Sultan Begum (circa 1542-1626). In 1611, she met Jahangir at a bazaar during the Nowruz festival and was wed shortly thereafter. Due to her husband’s frequent incapacitation due to alcohol and opium, she became the power behind the throne. She conducted trade with foreign merchants, managed court finances, minted coins in her own name, and designed Mughal gardens. After Jahangir’s death in 1627, Nur Jahan spent the remainder of her life confined in Lahore with her widowed daughter and granddaughter. Nur Jahan maintained a legendary appeal long after her death in 1645. Representations of a beautiful princess, such as this painting, are traditionally identified as idealized images of the Mughal Empress. A comparable portrait of Nur Jahan is in the Victoria and Albert Museum, London (IM.37-1912).
Selected Bibliography
  • Pal, Pratapaditya, Janice Leoshko, Joseph M. Dye, III, Stephen Markel. Romance of the Taj Mahal. Los Angeles: Los Angeles County Museum of Art, 1989.
  • Phil Freshman. Los Angeles County Museum of Art Report, July 1, 1981-June 30, 1983. Los Angeles: Los Angeles County Museum of Art, 1984.
  • Seligman, Thomas K., and Usha R. Balakrishnan. Enduring Splendor: Jewelry of India's Thar Desert. Los Angeles: Regents of the University of California, 2017.