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Collections

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Radha and Krishna Embracing in a Forest Hut, Folio from a Gita Govinda (Song of the Cowherd)circa 1630-1640

Not on view
Indian manuscript painting with Devanagari text, showing two blue-skinned figures embracing under an arch, flanked by four female attendants, with flowering trees and monkeys above
Artist or Maker
Unknown
Title
Radha and Krishna Embracing in a Forest Hut, Folio from a Gita Govinda (Song of the Cowherd)
Place Made
India, Madhya Pradesh, Malwa
Date Made
circa 1630-1640
Medium
Opaque watercolor, gold, silver, and ink on paper
Dimensions
Sheet: 8 1/4 x 4 7/8 in. (20.96 x 12.38 cm) (cropped); Image: 6 5/8 x 4 11/16 in. (16.83 x 11.91 cm)
Credit Line
Indian Art Special Purpose Fund
Accession Number
M.81.27
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Gita Govinda (Song of the Cowherd) was composed by the Sanskrit poet Jayadeva (eastern India, circa 1170-1245). The celebrated poem marks the debut of Krishna’s paramour Radha. Previously, she was known only from sporadic literary and epigraphical references beginning in the 7th century. She is absent from the major early texts in which the life of Krishna is related: the Harivamsha (Lineage of Hari [Vishnu]), 1st century; Vishnu Purana (Ancient Stories of Vishnu), circa 450; and Bhagavata Purana (Ancient Stories of the Lord), 8th-10th century. It describes the initial passion of Radha and Krishna, their temporary estrangement over Radha's jealousy of Krishna sharing his love with other cow-herdswomen, and their ecstatic reconciliation in Krishna's nocturnal bower of delight.

The folio illustrates the Sanskrit verses to be sung with Raga Malava that are inscribed in the header: “I reach the lonely forest hut where he secretly lies at night. My trembling eyes search for him as he laughs in a mood of passion.” (Gita Govinda 2:6:11) The blue-skinned Krishna and Radha are embracing in a thatch hut in the forest beside a river. Three gopis (cow-herdswomen) are nearby. The folio has been cropped.

An additional folio from this dispersed series is in the Metropolitan Museum of Art, New York (2003.165).