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Collections

Unknown
Buddha Shakyamuni11th century

On view:
Resnick Pavilion, floor 1
Stone sculpture of a seated meditative figure on a stepped plinth, carved in relief against an arched backboard, in sandy gray-tan stone with a granular surface
Sandstone stele of a seated figure in meditation pose on a tiered throne, hands resting in lap, set against a carved arched backplate with foliate relief decoration and flanking figures at upper sides.
Artist or Maker
Unknown
Title
Buddha Shakyamuni
Place Made
India, Tamil Nadu, Nagapattinam
Date Made
11th century
Medium
Granulite
Dimensions
29 1/2 x 14 1/2 x 17 in. (74.93 x 36.83 x 43.18 cm)
Credit Line
Gift of Mr. Anthony A. Manheim
Accession Number
M.80.227
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This granulite representation of the Buddha Shakyamuni may have been originally carved for a Buddhist monastery, the Chudamani Vihara, located near the seaport of Nagapattinam, Tamil Nadu. The monastery was founded in 1006 by Shri Mara Vijayottungavarman (r. circa 1008-1025) of the Srivijayan Empire (circa 671-1025) with the encouragement of the great Chola Dynasty monarch, Rajaraja Chola I (r. 1012-1014).

The Buddha is nimbate, enthroned, and seated in the meditation posture (padma asana) with his hands held in the gesture of meditation (dhyana mudra). He wears a diaphanous robe over his left shoulder. He has several of the standard iconographic features: snail-curl hair, a cranial protuberance (ushnisha) emblematic of his omniscience, elongated earlobes symbolizing his renunciation of the material world, and perhaps a sacred forehead marking (urna). A distinctive attribute is the flame finial surmounting the ushnisha, which is characteristic of Nagapattinam Buddhas (see M.72.29) as well as some Sri Lankan Buddha images. Flanking the Buddha on the sides of the throneback are rearing leonine creatures (vyalaka), mythical aquatic creatures (makara) in the form of terminals, and adoring celestial figures bearing honorific fly whisks (cauri or chowri).

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • Newman, Richard. The Stone Sculpture of India: a Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century. Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museums, 1984.
  • Pal, Pratapaditya. The Sacred and Secular in Indian Art. Santa Barbara, CA: University of California, 1974.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.

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