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Collections

Unknown
The Mahasiddha (Great Adept) Luipaearly 17th century

On view:
Resnick Pavilion, floor 1
Terracotta or sandstone relief sculpture of an emaciated seated figure with prominent ribs, seated cross-legged atop a prone figure, within an oval floral aureole
Small stone relief sculpture, reddish-brown with traces of gilt, depicting an emaciated seated figure in lalitasana pose with visible ribcage, wearing a broad hat, flanked by a smaller standing figure at right; arched prabhavali with carved lotus and foliate motifs surrounds the composition.
Artist or Maker
Unknown
Title
The Mahasiddha (Great Adept) Luipa
Place Made
Nepal, Patan or Thimi
Date Made
early 17th century
Medium
Earthenware
Dimensions
8 3/4 x 7 1/2 x 2 5/8 in (22.2 x 19 x 6.7 cm)
Credit Line
Gift of Professor and Mrs. Thomas O. Ballinger
Accession Number
M.80.97.1
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Mahasiddha (Great Adept) Luipa (also known as Luiypa or Luipada, circa 9th or 10th century) was an enlightened Vajrayana Buddhist master and composer of religious texts. He was a great adept who gave up his life of royalty in Eastern India to live as a wandering mendicant. After realizing that true enlightenment could only be attained by relinquishing ideas of what was and was not suitable to eat, he took up residence on a riverbank of the Ganges River and forced himself to subsist on fish intestines discarded by the fisherwomen. Dubbed Luipa or “Fish Eater” by a fisherwoman, he eventually came to experience fish guts as no different from divine ambrosia and thus attained enlightenment.

In this animated earthenware plaque, Luipa is shown in the act of eating a fish intestine that twists and curls along his right arm while his hand pulls the entrails from a large fish to his right. He is emaciated, wears a Tibetan-style hat, has a meditation band (yoga banda) draped over his left shoulder, and sits in the meditation posture (padma asana) on an antelope skin. On his left, is likely the female tantric practitioner (dakini) who offered him a cup of rotten fish to overcome his dualistic notions of suitability and unsuitability.

This plaque may have originally been part of a series of mahasiddhas commissioned by a Newari Buddhist who was particularly influenced by Tibetan Buddhism.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.