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Collections

Unknown
Celestial Nymphcirca 1450

Not on view
Carved stone sculpture of a standing female figure in a triple-bend posture, wearing beaded jewelry and a tiered coiffure, attached to a decorated architectural bracket
Marble architectural bracket figure of a female yakshi in tribhanga pose, adorned with carved jewelry, beaded necklaces, and anklets, set against a pillar fragment with pierced floral and scroll ornamentation, mounted on a wooden base.
Marble sculpture fragment of a female figure in tribhanga pose, wearing beaded necklaces, large circular earrings, and an ornate headdress; detailed carved jewelry and a rounded vessel at her side; pale stone with dark weathering.
Stone sculpture fragment of a female figure in three-quarter view, adorned with circular earrings, beaded necklaces, and an ornate headdress, her arm raised beside an architectural bracket with carved decorative relief, creamy stone with weathered surface.
Stone sculpture fragment of a standing figure in contrapposto pose, adorned with carved bead jewelry across the chest and ankles, wearing a draped lower garment; a lotus medallion is carved on an adjacent architectural element to the right.
Artist or Maker
Unknown
Title
Celestial Nymph
Place Made
India, Rajasthan
Date Made
circa 1450
Medium
Light yellow marble with black striations
Dimensions
44 1/4 x 20 x 9 1/2 in. (112.4 x 50.8 x 24.13 cm)
Credit Line
Gift of The Ahmanson Foundation
Accession Number
M.80.62
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Related iconographically to the slightly earlier representation of a celestial nymph also from Rajasthan (M.71.73.132), this larger and heavier sculpture served a different architectural function. It was most likely originally situated on an exterior wall of a Jain temple rather than as a bracket figure on the interior ceiling dome. The nymph twists at an acute angle to look towards the ground behind her. Her left arm goes over her head and may have once held a now-missing disk or other indeterminate object, while her raised right hand may have grasped its lower edge. She is richly adorned with jeweled ornaments and cascading strands of pearls. A long flowing scarf (dupatta) is around her shoulders, and another is knotted above her knees. The sculptor has taken delight in portraying the celestial nymph in a contorted dancing posture emphasizing her suppleness and has displayed considerable technical expertise in utilizing the dark striations of the rock to accentuate the swollen volumes of her breasts and other features. She stands beside a rectangular pillar or pilaster ornamented with a leonine face-of-glory (kirttimukha), a bell hanging from a chain, and a spandrel with a radiant quarter-lotus.

The sculpture was previously attributed stylistically to Ranakpur, the great 15th-century Jain temple complex in southern Rajasthan, but exterior sculptures from that site generally exhibit a more uniform geological matrix and the architectural ornamentations differ.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Aitken, Molly Emma. "Introduction." In A Magic World: New Visions of Indian Painting, edited by Molly Emma Aitken, 10-19. Mumbai: Marg Foundation, 2016.