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Collections

Unknown
The Monk Shin Upagutta19th century

On view:
Resnick Pavilion, floor 1
Carved ivory or bone sculpture of a seated cross-legged figure on a two-tiered lotus pedestal, cream-white with dark brown veining throughout
Ivory or bone carving of a seated, shaved-head figure in crossed-leg posture on a round pedestal, viewed from behind; a sash with incised scrolling pattern crosses the bare back; cream-colored surface with visible aging cracks and dark inclusions.
Artist or Maker
Unknown
Title
The Monk Shin Upagutta
Place Made
Myanmar (Burma)
Date Made
19th century
Medium
Ivory
Dimensions
Height: 6 1/2 in. (16.51 cm)
Credit Line
Purchased with funds provided by Margot and Hans Ries, Dr. and Mrs. M. Sherwood, and The Felix and Helen Juda Foundation
Accession Number
M.82.132.2
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Shin Upagutta (or Upagok, from Sanskrit: Upagupta) was born in 265 or 182 BCE in Mathura, Uttar Pradesh, India to his mother Missa Dewi (Macchadevi) and his father Prince Dawtha Kumara (Dosakumara). He was prophesied by the Kassapa Buddha (the Buddha before Buddha Shakyamuni) to become a Buddhist saint (arhat) 218 years after the death of Buddha Shakyamuni (traditionally dated to 483 BCE). He became the fifth Buddhist patriarch. Upagutta is renowned for converting the demon king Mara by placing a garland made of the corpses of a man, a dog, and a snake around Mara’s neck, which could only be removed after Mara promised to do no harm and follow the Buddhist Dharma. He is believed to reside in a brass pavilion in the southern ocean, from where he is evoked in Pali rituals to protect the Burmese from rain storms and floods. Upagutta sits in the meditation posture (padma asana) on a lotus base. He has shorn hair and wears a Buddhist robe over his left shoulder. He cradles his alms bowl in his lap and has his head cocked to his right. See Sylvia Fraser-Lu and Donald M. Stadtner, Buddhist Art of Myanmar (New York: Asia Society Museum in association with New Haven and London: Yale University Press, 2015), pp. 182-183, no. 48.

See also M.83.254 and M.89.101.1.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.