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Collections

Unknown
Necklace for the Living Goddesscirca 19th century

Not on view
Gold ceremonial necklace in a U-shape with repoussé bird-and-floral relief panels, turquoise and amber stone centerpiece, and circular medallion clasp at top
Artist or Maker
Unknown
Title
Necklace for the Living Goddess
Place Made
Nepal, Kathmandu Valley
Date Made
circa 19th century
Medium
Gold and gilt copper alloy cast and repoussé; inlaid with turquoise and coral
Dimensions
13 1/2 x 6 3/4 x 2 in. (34.29 x 17.14 x 5.08 cm)
Credit Line
Purchased with funds provided by Camilla Chandler Frost
Accession Number
M.79.242
Classification
Jewelry and Adornments
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This is the distinctive ceremonial necklace (tayo) of Nepal’s Living Goddess, Kumari Devi, who is a manifestation of the Hindu great goddess Durga in her form as the protective goddess Taleju. It is also worn by brides and elite Newar women (see M.91.134). The lozenge-shaped horizontal pendant is an amulet container for symbolic grains of purified rice, gemstones, or a sacred verse. Surmounting it are a pair of comma-shaped turquoise plaques (paleswan-ha) set between sun and crescent moon symbols. They are reminiscent of the protective tiger-claw necklace pendants worn by Kumara (also known Skanda or Karttikeya), the Hindu god of war, as well as by Manjushri, the bodhisattva of wisdom (see M.81.3.1a-b). Rising above the grouping are thirteen rearing cobra heads with dangling coral beads symbolic of the serpents’ guarded treasures. The broad support "chains" of the necklace are adorned on each side with six repoussé panels of peacocks spreading their trains or tail feathers. Peacocks are the mount and, hence, symbolic of Kumara (see AC1994.183.1), and also his skati (female creative energy), Kaumari, a violent (ugra) form of Durga (see M.82.42.3) and a member of the Seven Mother Goddesses (Sapta Matrikas; see M.71.110.2 and (M.80.157). The lowest peacocks on the supports are inverted for design purposes. The backside of the supports is a padded textile mount. The lotiform medallion clasp has a writhing dragon in the center of a band of lotus petals.

Comparable tayo necklaces are in the Seattle Art Museum (33.704) and illustrated in Hannelore Gabriel, The Jewelry of Nepal (New York: Weatherhill, 1999), pp. 67-71; and John Clarke, Jewellery of Tibet and Himalayas (London: V&A Publications, 2004), p. 60, fig. 42. See also Katherine Anne Paul, "Tayo-bizakani Ritual Necklace with Naga, Peacock, and Dragon Motifs: The Multifaceted Power of Ornament," Project Himalayan Art (New York: Rubin Museum of Art, 2023), https://rubinmuseum.org/projecthimalayanart/essays/tayo-bizakani-ritual-necklace-with-naga-peacock-and-dragon-motifs/.

Selected Bibliography
  • "Gold Treasures: Los Angeles County Museum of Art." The India Magazine of Her People and Culture 12, no.1 (1991): 78-79.