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Collections

Qasim
The Brahman Uttanka Meets Indra, who is Disguised as an Outcast Chandala, Folio from a Razmnama (The Book of War)1616-1617

Not on view
Illustrated Mughal manuscript page with Persian Nastaliq script surrounding a central painted scene of two figures in a rocky landscape with trees, birds, and distant domed buildings
Artist or Maker
Qasim
India, active late 16th century-early 17th century
Title
The Brahman Uttanka Meets Indra, who is Disguised as an Outcast Chandala, Folio from a Razmnama (The Book of War)
Place Made
India, Subimperial Mughal
Date Made
1616-1617
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Sheet: 14 7/8 x 8 3/4 in. (37.8 x 22.2 cm); Image: 14 3/8 x 8 1/8 in. (36.5 x 20.6 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.27
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Razmnama (The Book of War) is a Persian translation of the great Sanskrit epic, the Mahabharata ([War of the] Great Bharatas). The first imperial manuscript was made for Emperor Akbar (r. 1556-1605) in 1582-1586. It is now in the Maharaja Sawai Man Singh II Museum, Jaipur. Several illustrated copies of the manuscript are known, including a dispersed manuscript dated 1598-1599, now mainly in the British Library, London; a dispersed manuscript of circa 1600; a manuscript dated 1605, now in the Birla Academy of Art and Culture, Kolkata; and a widely dispersed manuscript with pages dated 1616-1617. This folio and M.74.5.15 are from the dispersed manuscript of 1616-1617, which was made for the poet and littérateur, Abd al-Rahim (1556-1626), the Khan Khanan (Commander in Chief of the Mughal armies).

According to John Seyller (1999), this folio was painted by Qasim (India, active late 16th century-early 17th century), who also worked on the Ramayana (Adventures of Rama) of 1587-1599 in the Freer Gallery of Art, Washington, DC (F1907.271.173-346) and the Shahnama (Book of Kings) of 1616-1617 in the British Library, London (Add. 5600).

In this folio, the Brahman Uttanka meets Indra, who is disguised as an outcast or untouchable (chandala). The latter carries a sword and a bow. He is accompanied by a pack of dogs, which are represented by two leashed dogs and one unleashed dog. Uttanka had previously received a boon of being granted drinking water whenever he thought of Krishna.

Selected Bibliography
  • Pal, Pratapaditya. Indian Painting, vol.1. Los Angeles: Los Angeles County Museum of Art, 1993.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.