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Collections

Unknown
Shuradatta, the Buddha of Alms-Givingcirca 17th century

On view:
Geffen Galleries, Pan-Asian Buddhist Art
Gilt bronze sculpture of a seated figure with tight curled hair, hands raised in a prayer gesture at the chest, cross-legged on a rectangular lotus base
Close-up of a gilt metal surface with an incised inscription in Tibetan script, showing fine scratches and worn gilding.
Artist or Maker
Unknown
Title
Shuradatta, the Buddha of Alms-Giving
Place Made
Central Tibet (by a Newar artist)
Date Made
circa 17th century
Medium
Gilt brass and paint
Dimensions
10 x 7 1/2 x 5 in. (25.4 x 19.05 x 12.7 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.21
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Shuradatta, the Buddha of Alms-Giving, is one of the Thirty-five Confession Buddhas of Mahayana Buddhism popular in Tibet and worshipped by a visualization of the Thirty-five Buddhas and a recitation of the purification confessions contained in the Triskhandhadharma Sutra (Three Heaps Sutra [text]). The Three Heaps are the three Buddhist ethical precepts: Abstaining from negative deeds, Performing positive deeds, and Accomplishing beneficial results.

Identified by a Tibetan inscription on the back of the base, this serene representation of Shuradatta envisions him with the standard iconographic conventions of a Buddha: a cranial protuberance (ushnisha) emblematic of his omniscience, elongated earlobes symbolizing his renunciation of the material world, and a circular sacred marking (urna) on his forehead. He wears a monastic robe with stylized pleats over his left shoulder. His hands are held in the gesture of the ‘turning of the wheel of the law’ (dharmachakrapravartana mudra). His snail-curl hair is embellished with indigo paint, characteristic of sculptures in Tibet. This image was likely produced by a Newar artist from Nepal working for a monastery in central Tibet.

Selected Bibliography
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Reedy, Chandra L. Himalayan Bronzes: Technology, Style and Choices. Newark: University of Delaware Press, 1997.
  • Pal, Pratapaditya. Art of Nepal. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1985.