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Collections

Unknown
Raja Sidh Sen of Mandi (r. 1684-1727) as a Manifestation of Shivacirca 1725

Not on view
Indian miniature painting of two figures and a kneeling white bull against a flat green background, framed in coral red, with script inscription at the bottom
Artist or Maker
Unknown
Title
Raja Sidh Sen of Mandi (r. 1684-1727) as a Manifestation of Shiva
Place Made
India, Himachal Pradesh, Mandi
Date Made
circa 1725
Medium
Opaque watercolor, gold, silver, and ink on paper
Dimensions
Image: 9 1/4 x 6 1/2 in. (23.5 x 16.51 cm); Sheet: 10 7/8 x 8 in. (27.62 x 20.32 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.25
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Raja Sidh Sen (r. 1684-1727) was born in 1634. At the age of fifty in 1684 he ascended the throne of the princely state of Mandi in present-day Himachal Pradesh and ruled for forty-three years until his death in 1727. Sidh Sen was noteworthy for his primary devotion to Shiva and commissioned several temples dedicated to Shiva and the Goddess. His legendary stature, over seven feet tall, is affirmed by numerous portraits. He was a great warrior and a deeply religious man who followed tantric practices and was believed to have supernatural powers. His golden amulet (gutka) was said to enable him to fly to the source of the Ganges River each morning for his daily bath.

In this portrait, Sidh Sen is portrayed iconographically as a manifestation of Shiva. On his forehead is Shiva’s emblematic crescent moon and third eye of wisdom. His turban is inscribed with a mantra, likely “Namah Shivaya” (adoration to Shiva). He wears a garland of skulls across his left shoulder, a long floral garland, bracelets made of Rudraksha (eye of Rudra/Shiva) beads (elaeo carpus seeds), and mendicant sandals (paduka) made of teak inlaid with ivory (see M.81.155a-b). He holds an ascetic’s crutch. A serpent, sacred to Shiva, is coiled around his torso like a garland. Shiva’s bull mount, Nandi, gazes up at him in adoration. Behind him a woman holds an honorific peacock feather fly whisk (morchal) and a handkerchief.

A comparable portrait of Sidh Sen as Shiva is in the Museum of Fine Arts, Boston (2001.137).

Selected Bibliography
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.