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Collections

Unknown
The Bodhisattva Manjushri (Dharmachakra Manjushri)11th century

On view:
Resnick Pavilion, floor 1
Bronze sculpture of a seated, cross-legged crowned figure with hands raised at the chest in a ritual gesture, with intricate incised drapery and inset red stones
Bronze sculpture of a crowned deity seated in lotus position, viewed from the back, with ornamental armlets, a sacred cord across the back, and a tiered crown; incised floral and geometric patterns decorate the oval base; dark patinated surface.
Artist or Maker
Unknown
Title
The Bodhisattva Manjushri (Dharmachakra Manjushri)
Place Made
Nepal
Date Made
11th century
Medium
Unalloyed copper inlaid with rubies
Dimensions
6 3/4 x 6 1/4 x 5 1/2 in. (17.14 x 15.87 x 13.97 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.19
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Manjushri (Beautiful Glory/Goddess) is the Bodhisattva of Wisdom. He is the patron deity of the Newar Buddhists and is credited with the creation of the Kathmandu Valley. According to the local narrative, the Valley was originally a great lake, and Manjushri used his sword of wisdom to cut a cleft in the mountains that contained the lake. With the lake thus drained, he created Valley, making it habitable for all sentient beings.

Manjushri is envisioned in at least fourteen iconographic forms per religious textual sources. He is often shown brandishing his sword of wisdom and holding a manuscript of the Prajnaparamita (Perfection of Wisdom) surmounted on a lotus stalk (M.78.136 and M.75.4.6). Or he sometimes carries only the sacred manuscript (M.75.4.9). Here, in a form known as Dharmachakra Manjushri, he holds his hands in the gesture of Turning the Wheel of the Law (dharmachakra mudra). He is crowned and has long locks of hair cascading onto his shoulders. He wears jewelry inlaid with rubies and the Brahmanical sacred thread (yajnopavita) worn over his left shoulder. He sits on an ovoid patterned cushion in the relaxed posture (lalita asana) with his right leg pendant and supported by the pericarp of a lotus flower (karnika).

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.