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Collections

Fakira
Maharaja Raj Singh of Kishangarh (r. 1706-1748) (?)circa 1775-1800

Not on view
Mughal-style full-length portrait painting of a standing man in profile wearing a pink floral robe and yellow sash, holding a long sword, with a circular halo, against a green reed garden and cloudy sky
Artist or Maker
Fakira
India, active circa 1775-1800
Title
Maharaja Raj Singh of Kishangarh (r. 1706-1748) (?)
Place Made
India, Rajasthan, Kishangarh
Date Made
circa 1775-1800
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Sheet (Sheet): 6 5/8 x 5 in. (16.8275 x 12.7 cm) Image (Image): 6 1/8 x 4 1/2 in. (15.5575 x 11.43 cm) Frame: 19 × 14 in. (48.26 × 35.56 cm)
Credit Line
Indian Art Special Purpose Fund
Accession Number
M.73.89
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The devanagari inscription at the bottom of the portrait reads, “kalam phakira catera ki.” It provides the name of the artist, Fakira, but does not identify the subject. Based on its physiognomic resemblance, it may be a posthumous portrait of Maharaja Raj Singh of Kishangarh (r. 1706-1748). For example, see a comparable portrait drawing of Raj Singh attributed to circa 1730-1740 in the Philadelphia Museum of Art (2013-68-11). A Kishangarh genre portrait of a woman with a very similar banana leaf and railing backdrop, attributed to circa 1800 and possibly by Fakira, was exhibited at the Galerie Saundarya Lahari, Amsterdam in 1987 (see Joachim Bautze, Indian Miniature Paintings, 1987, no. 45).

Raj Singh stands in profile on a palace terrace with a hedgerow of banana plants leaves as a background. He is nimbate and his mauve-and-gold turban have the turban jewels of a feather plume and a horizontal sarpati, which here has an extended bejeweled band encircling the head. He wears strands of pearls with gold and emerald pendants, a mauve coat (jama) with gold floral sprays, mauve trousers with a gold diaper pattern, a blue-and-gold waist sash (patka), and a yellow-and-gold scarf draped around his shoulders. He has a punch dagger (katar) tucked into his waist sash and grasps the grip of a “Firangi” (European) straight sword with a yellow and blue floral scabbard.

Selected Bibliography
  • Pal, Pratapaditya. The Sacred and Secular in Indian Art. Santa Barbara, CA: University of California, 1974.