LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Vessel100 BCE–600 CE

On view:
Geffen Galleries, South American Symbolic Universes
Ceramic vessel with hourglass profile, painted with a stylized frontal humanoid figure in terracotta, dark brown, and cream, surrounded by geometric and organic motifs
Ceramic flared bowl with polychrome slip-painted decoration; a frontal anthropomorphic figure with a triangular head, outstretched arms, and clawed feet, rendered in red, brown, tan, and cream against a dark red ground with repeating geometric and organic motifs encircling the vessel.

Unknown, Vessel, 100 BCE–600 CE, Los Angeles County Museum of Art, Gift of Nasli M. Heeramaneck, photo © Museum Associates/LACMA

Title
Vessel
Culture
Nasca
Place Made
Peru, South Coast
Date Made
100 BCE–600 CE
Medium
Polychrome ceramic
Dimensions
3 x 4 in. (7.62 x 10.16 cm)
Credit Line
Gift of Nasli M. Heeramaneck
Accession Number
M.73.48.38
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

This Middle Nasca cup or open bowl depicts the Mythical Harvester, an ancestral entity—probably male—associated with fertility and abundance. The Harvester is often seen wearing a conical hat stitched on the front, with a cloth attached to its backside to protect his neck from the sun. He is shown frontally, holding (or hanging from) a variety of crops, such as maize, beans, peppers, and tubers. Widely represented by Nasca artists, the Harvester figure was popular in both secular and religious contexts. The two vertical lines across his mouth resemble the stitches or thorns used to hold together the lips of trophy heads, and indicate that this character himself may be deceased. The notions that ancestors generate new life and that death or the spilling of blood leads to fertility and renewal are well established in the ancestral cultures of Peru.

The conventions of the Mythical Harvester’s representation vary across time, ranging from a more figurative to a more abstract style. In later periods, he virtually disappears from the Nasca pantheon and artistic repertoire (see also M.73.48.26).

Luis Muro and Julia Burtenshaw

2024

Related Unframed

Related Unframed

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Her Practice and the Blockchain
Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Her Practice and the Blockchain
  • October 29, 2025
  • Lady Cactoid, Kiya Tadele
50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”
50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”
  • August 5, 2025
  • Eliot Richards
Reimagining a Silver Pelican in Bolivia
Reimagining a Silver Pelican in Bolivia
  • June 5, 2025
  • Ilona Katzew
Discover the Art and Science of Color in Mesoamerica at a Virtual Symposium for “We Live in Painting”
Discover the Art and Science of Color in Mesoamerica at a Virtual Symposium for “We Live in Painting”
  • March 17, 2025
  • Editors
New Acquisition: 16th-century Ottoman Dish
New Acquisition: 16th-century Ottoman Dish
  • April 30, 2024
  • Linda Komaroff, Curator and Department Head
Evaluating the Authenticity of Ancient Artworks
Evaluating the Authenticity of Ancient Artworks
  • February 7, 2024
  • Astrid Molina
New Acquisition: Theaster Gates’s “Vessel #12”
New Acquisition: Theaster Gates’s “Vessel #12”
  • April 27, 2023
  • Bobbye Tigerman
LACMA Announces 10 New Acquisitions During the 37th Collectors Committee Weekend
LACMA Announces 10 New Acquisitions During the 37th Collectors Committee Weekend
  • April 24, 2023
  • Editors
Remembrance of Things Future: A Conversation with Monica Rizzolli, Artist Experimenting on the Blockchain
Remembrance of Things Future: A Conversation with Monica Rizzolli, Artist Experimenting on the Blockchain
  • April 4, 2023
  • Lady Cactoid
This Week at LACMA
This Week at LACMA
  • January 15, 2023
  • Editors
The Science and Art of Maya Painted Ceramic Vessels: A Free Scholarly Publication in English and Spanish
The Science and Art of Maya Painted Ceramic Vessels: A Free Scholarly Publication in English and Spanish
  • November 14, 2022
  • Editors
Classic Maya Figural Vessels
Classic Maya Figural Vessels
  • October 18, 2022
  • Karen Carrillo
Conversing in Clay: Ceramics from the LACMA Collection
Conversing in Clay: Ceramics from the LACMA Collection
  • September 2, 2022
  • Alexander Schneider
The Street of the Future: Moving Sidewalks and Morris Columns in Paris, 1900
The Street of the Future: Moving Sidewalks and Morris Columns in Paris, 1900
  • July 1, 2022
  • Claudine Dixon
Highlights from the Mixpantli Companion Exhibitions
Highlights from the Mixpantli Companion Exhibitions
  • June 10, 2022
  • Diana Magaloni, Alyce de Carteret
Significant Collection of Indigenous American Artworks Promised to LACMA
Significant Collection of Indigenous American Artworks Promised to LACMA
  • September 10, 2021
  • Gordon Ambrosino, Julia Burtenshaw, Staci Steinberger
2021 DA² Acquisitions
2021 DA² Acquisitions
  • August 3, 2021
  • Wendy Kaplan, Rosie Mills, Staci Steinberger, Bobbye Tigerman
Doyle Lane’s Ceramic Innovations
Doyle Lane’s Ceramic Innovations
  • March 2, 2021
LACMA Receives Grant for 2024 Pacific Standard Time
LACMA Receives Grant for 2024 Pacific Standard Time
  • February 1, 2021
Art + Tech Lab Project Update—Searching for Te Lapa
Art + Tech Lab Project Update—Searching for Te Lapa
  • January 21, 2021
  • Kyle McDonald, Introduction by Joel Ferree
Dancing Through Time
Dancing Through Time
  • September 29, 2020
  • Sarahi Vargas
Make Art @ Home—Paper-mache Maya Vessels
Make Art @ Home—Paper-mache Maya Vessels
  • May 12, 2020
  • Raquel Rojas
The Ancient Americas in Three Dimensions
The Ancient Americas in Three Dimensions
  • April 2, 2020
  • Alyce de Carteret
The Maya Vase Research Project
The Maya Vase Research Project
  • January 20, 2020
  • John Hirx