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Collections

Tile14th century

Not on view
Square ceramic tile with molded geometric and floral relief pattern glazed in cobalt blue, amber, and ivory, with a central lobed medallion containing Arabic script
Ceramic tile panel with concentric rectangular borders of red, amber, and olive-green glazed brick strips surrounding a central square tile decorated with interlacing geometric and arabesque patterns in blue, white, and tan, with a diamond-shaped cartouche containing Arabic script at center.
Ceramic tile panel with a central square decorated in blue and gold luster glaze, featuring geometric interlace and arabesque vegetal motifs surrounding a cartouche with Arabic script, framed by concentric borders of narrow rectangular tiles in red, ivory, and iridescent luster.
Glazed ceramic tile displayed on a diagonal, decorated in blue, white, and brown with raised interlacing geometric and vegetal patterns radiating from a central lobed cartouche containing Arabic script inscription.

Unknown, Tile, 14th century, Los Angeles County Museum of Art, The Nasli M. Heeramaneck Collection, gift of Joan Palevsky, photo © Museum Associates/LACMA

Title
Tile
Place Made
Spain, Granada, Alhambra
Date Made
14th century
Medium
Earthenware, molded, tin-glazed and painted with colored glazes and luster
Dimensions
13 1/2 x 13 1/2 in. (34.3 x 34.3 cm)
Credit Line
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky
Accession Number
M.73.5.782
Classification
Ceramics
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Dating from the thirteenth to the fifteenth century, the Alhambra, in Granada, is one of the world’s most famous buildings and the best-preserved palace of medieval Islam. It is also the most significant artistic achievement of the Nasrid dynasty (1232−1492), which ruled Granada, the last Muslim kingdom in Spain. The Alhambra is both a well-fortified palace and a royal city. It is guarded by stone walls and towers on the exterior, which conceal on the interior an elaborate succession of gardens, courtyards, and intricately decorated rooms, some of which had veneers of carved and painted stucco and colorful tiles. This glazed and luster-painted tile is inscribed in Arabic on the shield at center with the Nasrids’ dynastic motto: “There is no conqueror but God” (for the same inscription on a stucco plaque, see M.2002.1.685). In addition to colorful glazed tiles and painted stucco decoration, the interior spaces of the Alhambra would have been enlivened by vivid textiles for wall hangings and furnishings (see 55.57.19).

2025

Selected Bibliography
  • Pal, Pratapaditya, ed. Islamic Art: The Nasli M. Heeramaneck Collection. Los Angeles: Museum Associates, 1973.
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

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