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Collections

A Standing Figure, Page from an Albumcirca 1620-1625

Not on view
Illustrated manuscript page with a central ink drawing of a standing figure in flowing robes, surrounded by nested borders of turquoise, brick red, black, and gold with Persian script panels, set against a cream page covered in gold floral scrollwork
Persian manuscript page with ink and wash drawing of a standing figure in light robes and a gold hat with feather plume, head tilted downward, surrounded by layered borders of blue, red, and black with gilt floral arabesques and panels of Persian nastaliq script calligraphy.
Title
A Standing Figure, Page from an Album
Place Made
Iran, Isfahan
Date Made
circa 1620-1625
Period
Safavid (1501-1732)
Medium
Ink, opaque watercolor, and gold on paper
Dimensions
5 3/4 × 2 3/4 in. (14.61 × 6.99 cm) Frame: 20 × 15 × 1 1/2 in. (50.8 × 38.1 × 3.81 cm)
Credit Line
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky
Accession Number
M.73.5.455
Classification
Manuscripts
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Among the most popular subjects of seventeenth-century Persian album paintings are handsome youths and lovely maidens (see M.73.5.458 and M.73.5.562). In many cases, these figural subjects are generic representations, but it is sometimes possible to identify them with greater precision, as may be the case with this tinted album drawing of a standing figure. Wearing Ottoman-style clothing and coquettishly twirling a lock of their hair, they possibly represent "the beautiful Turk," a conventional figure in Persian love poetry whose physical allure and fickleness cause heartache. The poetry in the surrounding frames is by Hafez.

Selected Bibliography
  • Pal, Pratapaditya, ed. Islamic Art: The Nasli M. Heeramaneck Collection. Los Angeles: Museum Associates, 1973.
  • Taylor, Alice. Book Arts of Isfahan: Diversity and Identity in Seventeenth-Century Persia. Malibu, CA: J. Paul Getty Museum, 1995.