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Collections

Standing Figureabout 1620

Not on view
Illustrated Persian manuscript page with a central painting of a standing figure in purple tunic and coral-red trousers, surrounded by text borders and a gold floral outer border on brown ground
Opaque watercolor manuscript page depicting a standing figure in a purple robe, green sash, and layered red and green skirt, head tilted with a feathered cap, set against a gold floral ground. Framed by borders of Persian calligraphy and a dark outer margin with gilt floral scrollwork.
Title
Standing Figure
Place Made
Iran, Isfahan
Date Made
about 1620
Medium
Ink, opaque watercolor and gold on paper
Dimensions
5 3/4 × 3 in. (14.61 × 7.62 cm) Frame: 20 × 15 × 1 1/2 in. (50.8 × 38.1 × 3.81 cm)
Credit Line
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky
Accession Number
M.73.5.477
Classification
Manuscripts
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

In Persian lyric poetry, the beloved is traditionally described as young and beautiful, with a body like a gently swaying cypress, eyebrows arched like two bows, and lips tightly puckered like a rosebud. The beloved’s gender is, however, often left unspecified. The figure portrayed in this seventeenth-century album painting from Iran closely conforms to the physical ideal described by poets, and in step with the poetic tradition, the artist seems to have left the subject’s gender deliberately vague.

Selected Bibliography
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.