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Collections

Unknown
Buddha Shakyamunicirca 850

On view:
Resnick Pavilion, floor 1
Dark gray stone sculpture of a seated Buddhist figure in meditation, with an arched mandorla decorated with scrolling vines and relief-carved birds, above a base with small seated figures in niches
Dark gray stone stele, upper portion showing a seated figure with ushnisha and curled hair, set against a circular halo with concentric beaded rings, flanked by carved foliage, peacocks, and a foliated arch above; a band of Indic script curves along the inner halo; geometric border at base.
Dark gray stone sculpture fragment showing a tiered pedestal with four crouching lion figures in relief panels separated by pilasters; a deity figure's crossed legs and lowered hand visible above; an inscribed band with Indic script along the lower edge.

Unknown, Buddha Shakyamuni, circa 850, Los Angeles County Museum of Art, From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Buddha Shakyamuni
Place Made
India, Bihar, Gaya District
Date Made
circa 850
Medium
Chlorite schist
Dimensions
31 3/4 x 18 1/4 x 9 in. (80.65 x 46.36 x 22.86 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.73.4.11
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This sculpture represents the climactic moment when the historical Buddha Shakyamuni (born Siddhartha Gautama, traditionally dated to 563–483 BCE) extends his right hand in the gesture of calling upon the earth to witness his right to achieve Enlightenment after his many lifetimes (bhumisparsha mudra). The Buddha achieved his Awakening at Bodhgaya, Bihar, where he meditated under the Bodhi tree (Ficus religiosa). Branches of the Bodhi tree are depicted overhanging this image’s nimbus to help identify the location and event. The Buddha sits on a traditional South Asian-style throne used for royal and religious images. It features lions supporting the throne base, rearing horned leonine creatures (vyala) flanking the Buddha to indicate his mastery over the natural and supernatural worlds, and ganders symbolic of wisdom seated on the crossbar spewing pearls.

The Sanskrit inscription along the inner edge of the halo is the Buddhist creed: The Buddha has explained the cause of all things that arise from a cause. He, the great monk, has also explained their cessation.

The dedicatory inscription on the base beneath the donor figure reads, This is the pious gift of Vimalaprabha. (Translation by Pratapaditya Pal.)

Closely comparable images likely from the same workshop, albeit donated by different monks, are in the Asian Art Museum, San Francisco (B60S598) and Seattle Asian Art Museum (39.35).


Selected Bibliography
  • Dohanian, D.K. The Art of India. Rochester, NY: Memorial Art Gallery of the University of Rochester, University Publications, 1961.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.

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