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Collections

Unknown
The Buddhist Goddess Taralate 9th-10th century

On view:
Resnick Pavilion, floor 1
Bronze sculpture of a four-armed seated deity on a lotus throne with an ornate pointed halo, heavily patinated in mottled green
Bronze sculpture of a seated deity in three-quarter profile, with green patina, elaborate crown and jewelry, multiple arms, and a tall ornate prabhavali (backplate); figure seated in lotus position on a tiered lotus base.
Bronze Buddhist votive stele, reverse side, with pointed flame-shaped mandorla border and tiered base; heavily corroded green patina with surface scratches and mineral deposits; museum accession label reading "FB-23" visible on base.
Bronze sculpture of a seated deity in lotus position on a tiered lotus throne, with green patina, multiple arms, elaborate crown, and a pointed prabhavali (halo) with flame-like crest rising behind the figure.
Bronze sculpture, close-up of a deity figure with green-patinated surface, elaborate crown with small figures, beaded necklace, and circular mandorla behind the head; fine cast detailing throughout.
Close-up of a bronze devotional sculpture with green patina, showing a multi-armed figure with an ornate flame-like halo, holding attributes including a small vessel; heavily worn and pitted surface.
Close-up detail of a bronze sculpture showing an outstretched arm holding a small animal figure, with green patina over the aged metal surface; a larger figure and textured base visible in soft focus behind.
Close-up detail of a bronze sculpture with green patina, showing incised Arabic script across rounded forms, above a base with finely ridged horizontal banding.
Bronze sculpture of a multi-armed deity with green patina, wearing an elaborate crown and jewelry, set against an arched prabhavali with flame and floral motifs. Finely cast surface detail throughout.
Close-up detail of a bronze sculpture showing a raised hand with fingers extended, adorned with a beaded bracelet, covered in green patina with rough, aged surface texture.
Close-up detail of a bronze sculpture showing a hand resting on a knee, wearing a cast bracelet, with green and brown patina; finely incised scroll patterns visible on the surface beneath.
Close-up of a bronze sculpture with green patina, showing a reclining figure with densely incised geometric and decorative patterns across the surface, resting on a ridged circular base.
Artist or Maker
Unknown
Title
The Buddhist Goddess Tara
Place Made
Indonesia, Central Java
Date Made
late 9th-10th century
Medium
Copper alloy
Dimensions
8 3/4 x 5 3/4 x 3 3/4 in. (22.22 x 14.6 x 9.52 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.73.4.13
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Buddhist goddess Tara is the female Bodhisattva of Compassion. She is said to have been born from the Bodhisattva Avalokiteshvara’s tears of compassion. There are many forms of Tara, all of whom help practitioners overcome hindrances and difficulties on the path to Enlightenment. Each Tara has a different symbolic character and associated color. It is unknown which form of Tara this image represents. It had been previously suggested to be Dhanada Tara (Rosenfield 1966, p. 74, no. 68), but that identification was later refuted (Huntington 1990, pp. 235-236, no. 79).

Tara has the piled hair of an ascetic without an identifying small image (bimba) in her crown of her emanation source deity. She is seated on a lotus base in the meditation posture (padma asana). She has a gracious countenance and wears standard jewelry, a sash over her left shoulder, and a patterned lower garment. She is four-armed. In her upper right hand, she holds a rosary (akshamala). Her lower right hand is extended in the gesture of charity (varada mudra). In her upper left hand, she holds a sacred manuscript (pustaka). Her lower left hand holds the stalk of a lotus. Behind her is an aureole (prabhavali) with a flaming border. Its finial, now damaged, was likely an honorific parasol (chattra).

A comparable Central Javanese bronze image of Green (Shyama) Tara, albeit two-armed, is in the National Museum of Indonesia, Jakarta (640).

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.