Luster-painted ceramics, which represent one of the most original and spectacular contributions of the Islamic potter, is an especially long-lived technique, and the resulting products must have always been considered a form of luxury ware, in part because they required two firings. In the first firing, an opaque, generally white glaze was applied, and in the second, the design was daubed from a paste that included silver and copper compounds ground with sulfur. The second firing took place in a special kiln that restricted the flow of oxygen; this reducing atmosphere forced the metals to give up their oxygen, thereby creating a thin, lustrous film that fused with the glazed surface.
From the twelfth to the early fourteenth century, Kashan, in Central Iran, was the most prolific center for lusterware, both tiles and tableware, including this charming plate, glazed pale blue rather than the characteristic white, and overpainted with chocolate brown luster. At the center of the plate is a monumental spotted bear, reserved (depicted in silhouette) against the luster ground. Enjoying a meal from this serving vessel, to fully reveal the luster-painted creature within, must have enhanced the pleasure of the diners.
2025
