LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Frieze Tile with Elephant and Rider1270s

Not on view
Ceramic luster tile with two relief registers: upper shows running animals in turquoise; lower shows a blue-painted horse flanked by two robed figures, all on a gold luster and floral ground
Title
Frieze Tile with Elephant and Rider
Place Made
Iran, probably Takht-i Sulaiman
Date Made
1270s
Medium
Fritware, overglaze luster-painted
Dimensions
11 x 11 1/4 in. (28 x 28.6 cm)
Credit Line
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky
Accession Number
M.73.5.222
Classification
Ceramics
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

The Mongol invasions of Iran, beginning in 1220, and the subsequent period of Ilkhanid rule by the descendants of Genghis Khan (1256–1353) had an important impact on Persian art, architecture and architectural decoration. Like their Mongol predecessors, the Ilkhanids were migratory with seasonal camps and residences. Only one seasonal palace survives—Takht-i Sulaiman, in northwestern Iran—built ca. 1270 as a summer residence. Excavations at the site revealed extensive tile decoration. Based on the excavated tilework, this frieze tile, decorated in the costly overglaze luster technique, was likely produced for the interior of the palace.


Although its specific figural scene was not found at Takht-i Sulaiman, this tile is closely related in size and format to those excavated at the site. It similarly has molded relief decoration divided into three registers. In the top register is a row of spotted hounds while the bottom band has a badly abraded Persian inscription, which like other better-preserved examples may have quoted verses from the Shahnama (Book of Kings), the Iranian national epic. In the central field is an elephant mounted by a mahout, carrying a palanquin with a single passenger; an escort precedes and follows the procession. Like other such frieze tiles associated with the summer palace, this scene may illustrate a story from the Shahnama, perhaps from the tale of Bahram Gur who returned from India with a bride.

Selected Bibliography
  • Babaie, Sussan, ed. Iran After the Mongols. London: I.B. Tauris, 2019.