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Collections

Unknown
Somaprabha and a Celestial Nymph Listening to Music (recto), Calligraphy (verso), Folio from a Kathasaritsagara (Ocean of the Streams of Stories)circa 1590

Not on view
Mughal miniature painting showing winged and feathered figures on a tree platform, with musicians and a seated scholar below in a lush landscape
Artist or Maker
Unknown
Title
Somaprabha and a Celestial Nymph Listening to Music (recto), Calligraphy (verso), Folio from a Kathasaritsagara (Ocean of the Streams of Stories)
Place Made
Pakistan, Lahore, Mughal Empire
Date Made
circa 1590
Medium
Opaque watercolor and gold on paper
Dimensions
5 1/8 x 5 3/8 in. (13.02 x 13.65 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.78.9.13
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Kathasaritsagara (Ocean of the Streams of Stories) is a vast anthology of hundreds of folk stories and fairy tales compiled in Sanskrit by the Kashmiri poet Somadeva in 1063–1081. Derived from earlier literary sources, the embellished tales were told by Somadeva for the diversion of Suryamati (or Suryavati), the queen of King Ananta of Kashmir (r. 1028–1063). The text was translated into Persian by Mustafa Khaliqdad ‘Abbasi for the Mughal Emperor Akbar (r. 1556–1605), but only about a dozen illustrated leaves are extant. See also M.78.9.12, M.78.9.7, two folios in the San Diego Museum of Art (1990.280 and 1990.281), and one folio in the Cleveland Museum of Art (I-2013-7592/31). The known leaves are cropped and have the Persian text on the reverse.

This folio illustrates the story of the celestial nymph Somaprabha from Chapter 17 of the text. Born on earth because of a curse, Somaprabha is married to the merchant Guhachandra of Pataliputra (modern Patna in Bihar) on the condition that they refrain from sleeping together. Each night, however, Somaprabha mysteriously leaves the house to return at dawn. With the help of a charm given to him by a Brahman, Guhachandra gains the help of Agni, the God of Fire. That night, Agni and Guhachandra take the form of bees and follow Somaprabha. In the forest they discover her listening to heavenly music with another beautiful nymph. Agni advises Guhachandra to dally with a courtesan, which makes Somaprabha jealous and arouses her passion.

Selected Bibliography
  • Pal, Pratapaditya. Indian Painting, vol.1. Los Angeles: Los Angeles County Museum of Art, 1993.
  • Heeramaneck, Alice N. Masterpieces of Indian Painting : From the Former Collections of Nasli M. Heeramaneck. New York: A.N. Heeramaneck, 1984.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.