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Collections

Unknown
Nature Goddess (?)circa 200

Not on view
Terracotta-pink sandstone relief fragment of a headless female torso wearing beaded necklaces and a low-slung belted skirt, one arm partially preserved
Fragmentary sandstone relief sculpture of a female figure in contrapposto stance, wearing a beaded necklace and jeweled hip girdle with draped lower garment; head and lower legs missing, warm pink-tan stone surface.
Sandstone sculpture fragment of a female torso, headless, wearing beaded jewelry and a draped lower garment with carved decorative border; rounded forms with weathered pink-tan surface
Artist or Maker
Unknown
Title
Nature Goddess (?)
Place Made
India, Uttar Pradesh, Mathura
Date Made
circa 200
Medium
Mottled red sandstone
Dimensions
28 1/2 x 14 1/2 x 6 in. (72.39 x 36.83 x 15.24 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.78.9.16
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This is likely a representation of a nature goddess (yakshi) that once adorned the railing encircling a Buddhist or Jain stupa (funerary monument) to demarcate the sacred space within. Yakshis and their male counterparts (yakshas) were tutelary deities who served as attendants for Kubera, the pan-Indian god of wealth. They were also associated with nature’s abundance and, consequently, often received fertility offerings from women desiring to become pregnant.

Although at first glance this voluptuous figure may be perceived as naked apart from the waistline of her lower garment above her hip belt (katibandha) and waist sash that hangs down between her legs and at her side, close observation will reveal the neckline hem of a diaphanous upper garment likely intended to represent India’s famed gossamer cottons. She wears a golden pearl armlet and a pearl necklace with what may be a clasp in the form of a mythical aquatic creature (makara). She likely wore large earrings, hair ornaments, and an elegant hairstyle on her head, which is now absent apart from her long locks that hang down framing her breasts. Remnants of her now-missing left hand indicate that it once grasped her pendant waist sash. Originally, she presumably stood on an animal mount that helped identify her.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.