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Collections

Unknown
Alanquva and Her Three Sons, Folio from a Chingiznama (History of Genghis Khan)1596

Not on view
Mughal manuscript page with two painted narrative scenes divided by Persian-script text, depicting courtly gatherings with figures on a blue carpet and a hillside beneath a spreading tree
Detail of an illustrated manuscript painting showing a low pink table with geometric black-and-white border, set with gold and white vessels including covered bowls, tall-necked flasks, and a spherical pot, against a green ground; a white hanging censer below the table and a peacock partially visible at upper right.
Artist or Maker
Unknown
Title
Alanquva and Her Three Sons, Folio from a Chingiznama (History of Genghis Khan)
Place Made
Pakistan, Lahore, Mughal Empire
Date Made
1596
Medium
Opaque watercolor, gold and ink on paper
Dimensions
13 3/8 x 8 1/4 in. (33.97 x 20.32 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.78.9.9
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Chingiznama (History of Genghis Khan) is a section of the Jami al-Tawarikh (History of the World) written by the eminent Persian historian Rashid al-Din (1247-1318). Its first section, called the Tarikh-i Ghazani, describes the history of the Mongol and Turkish tribes, concentrating on the Mongol Emperor Genghis (or Chingiz) Khan (r. 1206-1227) and his successors until the death of Ghazan Khan (r. 1295-1304). This manuscript of the Chingiznama was completed in 1596. It is now held mainly in the Gulistan Palace Library, Tehran.

This folio portrays a mythical ancestor of the Mughals, Alanquva, and her three sons. She was believed to have been born miraculously after being impregnated by a divine light, which was inherited by the Mughal Emperor Akbar (r. 1556-1605). Here, Alanquva is seated on a carpeted platform with her three sons within a tent enclosure. Golden and ceramic dishes of delicacies are laid out for their enjoyment and a group of women bearing additional food and drink approaches them. In the foreground outside of the enclosure are the segregated men, some of them also bringing refreshments and a bound volume.

Selected Bibliography
  • Komaroff, Linda, editor. Dining with the Sultan: The Fine Art of Feasting. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books, 2023.