Jim Dine

Saw1976

Remembering David Hockney

Take a Queer-Futurist Sci-Fi Journey in Andrew Thomas Huang’s “The Deer of Nine Colors”

“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”

In Memoriam: Melvin Edwards (1937–2026)

“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Responding to LACMA’s Collection

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Her Practice and the Blockchain

Explore Ecology and Extraction at a Performance and Screening of “S̶t̶r̶a̶y̶ D̶o̶g̶ Hydrophobia”

50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”

“The thing becoming itself”: Fabián Cereijido and Francesco Siqueiros on Portraiture

Artists Represent Themselves: Paul Mpagi Sepuya on “Daylight Studio (0X5A0161)”

“We are all we’ve got”: Nancy Baker Cahill on “Substrate”

50 Works 50 Weeks: Manjunath Kamath’s “Vikatonarva”

Futuristic Furnishings and Time for Tea: Two Recent Acquisitions of Brazilian Design

50 Works 50 Weeks: Thomas Eakins’s “Wrestlers”

Andell Family Sundays: Make a Scene!

Andell Family Sundays: All the Colors!

“I use the computer to explore what it means to be a human”: Tyler Hobbs’ Connected for the Moment 1 and Discrete Affection #3

Remembrance of Things Future: A Conversation with Tyler Hobbs, Artist Experimenting on the Blockchain

Reframing German Expressionism

Kristin Bedford’s New Book Cruise Night Depicts the Los Angeles Lowrider Community

New Acquisition: Judy Baca’s “Hitting the Wall: Women in the Marathon”

New Acquisition: Manjunath Kamath’s “Vikatonarva”