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Collections

Maharao Ram Singh II of Kota (r. 1827-1866) Enjoying a Dance Performancecirca 1840

Not on view
Indian miniature painting, nighttime rooftop court scene with enthroned haloed ruler beneath a canopied pavilion, surrounded by attendants and dancing figures, palace architecture below
Title
Maharao Ram Singh II of Kota (r. 1827-1866) Enjoying a Dance Performance
Place Made
India, Rajasthan, Kota
Date Made
circa 1840
Medium
Opaque watercolor and ink on paper
Dimensions
17 x 21 1/4 in. (43.18 x 53.9 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.77.154.22
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Maharao Ram Singh II of Kota (r. 1827-1866) was born in 1808, ascended the throne at age nineteen, and died in 1866. He is portrayed in numerous dated paintings engaged in a wide variety of activity ranging from his official duties (durbars, state meetings, royal processions, and festivals; see M.77.154.21) to his pastimes (hunting, entertainment, and erotic liaisons; see M.75.19). In his early portraits in the 1830s his side whiskers are short, but from around 1840 onward they are longer, which is a useful feature for corroborating the date of the painting. He wore a distinctive style of headgear of his own design: a flat turban with a peak in the front.

In this large unfinished composition, the nimbate Ram Singh II is seated in a throne chair under a canopy on a terrace roof watching a dance performance. He is accompanied by seated courtiers with black shields and swords. Behind him are bearers of honorific peacock feather fly whisks (morchal) and fly whisks made from the white tail-hairs of a yak (cauri or chowri), both signifying royalty. Ram Singh II wears his trademark turban, which is adorned with a feather plume in a gold feather brooch, a jigha (similar to an aigrette), and a sarpati (horizontal tripartite ornament). His long side whiskers suggest a date of circa 1840. He holds a sheathed sword with a curved blade (talwar) and has a dagger (peshkabz) tucked into his waist sash. His left hand is extended in what may be a gesture of appreciation for the performance.

Selected Bibliography
  • Pal, Pratapaditya and Catherine Glynn. The Sensuous Line: Indian Drawings from the Paul F. Walter Collection. Los Angeles: Los Angeles County Museum of Art, 1976.