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Collections

Unknown
Arhat Chudapanthaka (?) with Attendantscirca 14th century

On view:
Resnick Pavilion, floor 1
Vertical Tibetan-style painting of a large bald figure with a blue halo seated holding a long staff, surrounded by smaller attendant figures and green rocky landscape
Artist or Maker
Unknown
Title
Arhat Chudapanthaka (?) with Attendants
Place Made
Central Tibet
Date Made
circa 14th century
Medium
Mineral pigments and gold on cotton cloth
Dimensions
25 1/2 x 21 1/4 in. (64.77 x 53.98 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.77.19.9
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

In both Theravada and Mahayana Buddhism, the arhats are believed to have been the Buddha Shakyamuni’s original disciples, and to attained enlightenment through their own efforts. They were endowed with exceptional prajna or transcendent wisdom. Functioning much like saints, their role was to protect the Dharma, or Buddhist teaching, until the coming of Maitreya, the Buddha of the Future. This Tibetan painting depicts an arhat, possibly Chudapanthaka, with attendants in a landscape dominated by a Chinese-inspired blue-and-green color scheme.

Chudapanthaka was from a Brahmin family. He had a severe learning disability and could not memorize the Buddhist scriptures. The Buddha Shakyamuni mentored him and gave him menial chores to do at the monastery while he tried to improve his cognitive skills. Eventually, as he developed wisdom and compassion, he became a revered disciple.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.