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Collections

Style of Mir Kalan Khan
European Woman Seated on a Terrace Smoking a Venetian-Style Hookah, Folio from an Album Belonging to Nawab Shuja al-Daula (r. 1754-1775)circa 1760-1775

Not on view
Mughal-style miniature painting of a full-length seated woman in a coral and gold patterned garment on a floral carpet, against a dark brown wall with white architecture to one side
Mughal-style opaque watercolor painting of a seated woman on an ornate chair, wearing a richly patterned jama in orange and brown with pearl jewelry and a decorative turban ornament, holding a long-stemmed flower, set on a floral carpet against a dark brown wall with a pavilion visible at upper left.
Mughal-style opaque watercolor miniature; a richly dressed figure at right in an orange and gold jama with long dark hair, seated on patterned textiles; white pavilion architecture with green dome at left against a dark brown background; gold-speckled border
Mughal-style miniature painting of a seated figure in a floral-patterned robe with orange sleeves and trousers, pearl necklace, holding a white staff, beside a jeweled chair and white ewer on a gold carpet with floral border.
Artist or Maker
Style of Mir Kalan Khan
India, active circa 1730-1780
Title
European Woman Seated on a Terrace Smoking a Venetian-Style Hookah, Folio from an Album Belonging to Nawab Shuja al-Daula (r. 1754-1775)
Place Made
India, Uttar Pradesh, Awadh, Faizabad or Lucknow
Date Made
circa 1760-1775
Period
18th century
Medium
Opaque watercolor and gold on paper
Dimensions
Image: 8 x 5 3/4 in. (20.32 x 14.61 cm); Sheet: 18 1/8 x 12 3/4 in. (46.04 x 32.39 cm)
Credit Line
Purchased with funds provided by Dorothy and Richard Sherwood
Accession Number
M.72.88.5
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The reverse of this painting is inscribed “His Excellency the Regent, Shuja al-Daula the hero.” (Translation by Wheeler Thackston.) It is one of the few extant artworks documented with an inscription or seal stamp indicating that it was once in a nawabi collection, in this case the Nawab Shuja al-Daula (r. 1754-1775).

The eclectic style of Mir Kalan Khan (active circa 1730-1780) encouraged many followers, including the artist of this painting, which combines features drawn from European and Indian sources. The European woman is dressed in a long outer garment adorned with purple irises on a gold ground. It is worn over an orange inner garment with gold flowers. Note the outer garment’s sleeve hanging from the left arm. She wears a long strand of pearls interspersed with rubies and emeralds. Her long hair cascades onto her shoulders with a feather plume dangling from hey bejeweled hair ornament on the back of her head. She sits in a European-style chair with a tall back, arched crest rail, voluted finials, and inset gemstones. In her right hand, she grasps a stiff reed used as an inhalation tube for smoking a Venetian-style hookah, the base of which appears to be made of either opaque “milk” white glass or porcelain. She holds a handkerchief in her left hand. The setting is a palace terrace at night. She is seated on a small yellow-and-gold rug, which is unusually laid atop a larger green-and-pink floral carpet covering the entire terrace.

Selected Bibliography
  • Markel, Stephen & Gude, Tushara Bundu. India's Fabled City. The Art of Courtly Lucknow. Los Angeles County Museum of Art and Del Monico Books- Prestel. Los Angeles, CA. 2010..