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Collections

Unknown
The Fifth Karmapa, Dezhin Shegpa (1384-1415)circa 18th century

On view:
Resnick Pavilion, floor 1
Tibetan thangka painting with a central robed religious figure in a black hat seated on a throne, surrounded by smaller divine figures and disciples against a landscape background, mounted on dark textile
Artist or Maker
Unknown
Title
The Fifth Karmapa, Dezhin Shegpa (1384-1415)
Place Made
Eastern Tibet, Kham
Date Made
circa 18th century
Medium
Mineral pigments and gold on cotton cloth
Dimensions
Image: 31 1/16 x 17 1/16 in. (78.8 x 43.2 cm)
Credit Line
Gift of Christian Humann
Accession Number
M.71.98.2
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This portrait of the Fifth Karmapa, Dezhin Shegpa (1384-1415) depicts one of the most influential Karmapas, the lineage holders and spiritual leaders of the Karmapa branch of the Kagyu sect of Tibetan Buddhism. His distinctive ceremonial Black Hat (Shwa-nag), based on a mystical vision of a Black Hat crown made from the hair of a 100,000 Dakinis (Female Sky-goers; enticing demigoddesses), identifies members of his sect. Dezhin Shegpa was an important figure in the spread of Buddhism, as he was the first Tibetan Lama to visit the Ming Court of Chinese Emperor Yongle (1402-1424) in 1403. While there, he bestowed upon the emperor and empress various Tantric empowerments, establishing himself as the emperor’s personal Guru.

In the center of the top register, Hevajra and Nairatmya in union are flanked by the teachers rNam-grol-sde and Grol-sde. In the bottom registrar, on the left is Chopel Yeshe (1406-1452), the third lineage holder of the Shamar (Red Hat) branch of the Kagyu sect. In the lower right are Bya-yul-pa and gTsug-rum-pa, who are otherwise unknown.

The nimbate Dezhin Shegpa has the Karmapas’ Black Hat crown and wears orange and red patterned robes. His hands are held in the gesture of Turning the Wheel of the Law (dharmachakra mudra). He sits on a Chinese-style throne with ritual objects placed before him on a low table and on the ground. The blue-and-green landscape evinces the assimilation of Chinese stylistic traditions into the Kham region.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.