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Collections

Eagle Impersonator Pendant1325–1521

Not on view
Pre-Columbian gold pendant with a frontal face mask, feathered headdress, scroll-work body, and five hanging pear-shaped gold drops
Cast gold pendant with a frontal anthropomorphic face featuring a hooked nose, elaborate headdress of scrolls and vertical elements, and flanking wing-like projections; five teardrop-shaped bells hang from the face and a circular openwork element below, with spiral filigree details throughout.

Unknown, Pendant, 1100–1520, Los Angeles County Museum of Art, The Phil Berg Collection, photo © Museum Associates/LACMA

Title
Eagle Impersonator Pendant
Culture
Ñuu Savi (Mixtec)
Place Made
Mexico, Oaxaca
Date Made
1325–1521
Medium
Gold
Dimensions
Height: 2 1/2 in. (6.35 cm)
Credit Line
The Phil Berg Collection
Accession Number
M.71.73.249e
Classification
Metal
Collecting Area
Art of the Ancient Americas
Curatorial Notes

Among the colonial-era Mixtec, gold was thought to embody sunlight through its metallic shine and was classified according to its yellow hue (dziñuhu quaa, “yellow precious metal”). This gold pendant depicts an avian personage in descending flight, a pan-Mesoamerican character with solar associations. Goldsmiths cast his wings and tail feathers, which extend upward from his anthropomorphic face, with a false filigree technique that creates a lacelike form. Bells dangle from the figure’s nose ornament and, in some cases, his wings as well.

Mixtec nobility adorned themselves with pendants like this one—as earrings, necklaces, and other ornaments—in both life and death. Archaeologists excavated similar objects from Tomb 7 at the site of Monte Albán, Oaxaca, a royal burial where hundreds of precious gold items accompanied the dead.

Alyce de Carteret

2024

Selected Bibliography
  • Berg, Phil. Man Came This Way: Objects from the Phil Berg Collection. Los Angeles: Los Angeles County Museum of Art, 1971.