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Collections

Unknown
Architectural Bracket in the Form of a Celestial Nymph Teasing a Boy13th-14th century

Not on view
White marble sculpture of a multi-armed standing female deity in S-curve pose, with crown, layered jewelry, and a small crouching figure at her hip, set against a pointed carved aureole
Carved marble sculpture of a standing female figure wearing a crown and jewelry, with a tribhanga three-bend posture, accompanied by a small attendant figure at her feet and a foliate arch behind, with detailed surface carving throughout.
White stone sculpture of a multi-armed crowned deity, upper body visible, holding a scroll, with beaded jewelry and an ornate flame-shaped aureole rising behind the crowned head, against a black background.
White marble sculpture, close-up of a crowned deity figure with downcast eyes, elaborate headdress, circular ear ornaments, and beaded necklace, photographed against a black background.
White marble sculpture, partial view of a standing figure with multiple arms, adorned with a beaded waistband, holding a lotus blossom and accompanied by a small crouching figure at lower left, with detailed carving throughout.
Artist or Maker
Unknown
Title
Architectural Bracket in the Form of a Celestial Nymph Teasing a Boy
Place Made
India, Rajasthan
Date Made
13th-14th century
Medium
White marble
Dimensions
29 5/8 x 8 1/2 x 7 in. (75.24 x 21.59 x 17.78 cm)
Credit Line
The Phil Berg Collection
Accession Number
M.71.73.132
Classification
Architecture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This marble sculpture of a celestial nymph (apsaras) originally served as an architectural bracket figure adorning the interior dome of a Jain temple, most likely in Rajasthan. Situated far above eye level, such works were often not as polished as the important devotional images placed closer to the ground. Nevertheless, they contributed significantly to the overwhelming visual exuberance of the temple's interior.

The crowned and bejeweled nymph is backed by a pointed strut carved in the shape of a lotus petal. She teases a boy by holding a drinking horn or cornucopia symbolic of abundance out of the reach of his upraised hand beside her breast. An ancillary vignette at the top of the strut showing a monkey reaching for a mango is perhaps intended as a pun on the main scene. Celestial nymphs such as this are often portrayed in a more playful mode than images of deities, which are bound by canonical restrictions. See also M.80.62.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.