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Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station
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Everything You Need to Know About LACMA’s New David Geffen Galleries
- May 8, 2026
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The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA
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LACMA’s New David Geffen Galleries Inaugurated with a Celebratory Ribbon-Cutting Ceremony
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50 Works 50 Weeks: Millard Sheets’s “Angel’s Flight”
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50 Works 50 Weeks: Lauren Halsey Commissions
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New Acquisition: Alejandro Otero’s “Tablón 32”
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In Memoriam: Melvin Edwards (1937–2026)
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Join The Art Parade 2026 at LACMA
- March 19, 2026
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50 Works 50 Weeks: Our Lady of Guadalupe
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Spend Your Third Weekends at LACMA
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50 Works 50 Weeks: Mariana Castillo Deball’s “Feathered Changes”
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- December 22, 2025
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Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA
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50 Works 50 Weeks: Paolo Veronese’s “Allegory of Navigation with an Astrolabe” and “Allegory of Navigation with a Cross-Staff”
- December 10, 2025
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An Appreciation: Frank O. Gehry (1929–2025)
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Chris Burden’s “Urban Light” Is Getting a Refresh
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Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Her Practice and the Blockchain
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This Week at LACMA
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50 Works 50 Weeks: Assyrian Reliefs
- September 19, 2025
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50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”
- August 20, 2025
- Wallis Annenberg Photography Department