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Collections

Unknown
Head of a Bodhisattva2nd-3rd century

Not on view
Dark stone sculpture of a deity head with nearly closed eyes, a third-eye mark on the forehead, and an elaborate carved crown with figural relief work
Stone sculpture of a deity head in profile, dark gray stone with deeply carved elaborate crown featuring miniature figures, animals, and geometric patterns; smooth facial features contrast with densely carved headdress, mounted on a metal stand.
Stone sculptural head in profile view, dark gray surface, wearing an elaborate crown with densely carved figural and geometric relief decoration including wave patterns and serpentine forms; smooth facial features contrast with the intricately worked headdress; fragmentary condition with visible breaks.
Artist or Maker
Unknown
Title
Head of a Bodhisattva
Place Made
Pakistan, Gandhara region
Date Made
2nd-3rd century
Medium
Gray schist with traces of red devotional paint
Dimensions
18 1/2 x 11 1/4 x 11 3/4 in. (46.99 x 28.58 x 29.85 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.71.1.45
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A Bodhisattva is an awakened person who voluntarily delays their attainment of final enlightenment (mahaparinirvana) out of compassion to help all sentient beings avoid suffering. Contrary to representations of the Buddha, who is depicted in simple monastic garb without jewelry, bodhisattvas are portrayed as noblemen or noble women wearing copious amounts of heavy gold jewelry and a lower garment and upper scarf worn around his shoulders with drapery folds derived from Greco-Roman clothing conventions.

This over life-size Bodhisattva head wears an elaborate turban replicating contemporary printed textiles and festooned with gemstones and gold jewelry. Across his forehead is a bifurcated pendant in the form of a mythical aquatic creature (makara). Around the sides of his head the pendant morphs into winged lions or griffins with elongated arched bodies. The turban is crested with an unadorned flat oval with a tapering tenon in the center that was used to affix a separate medallion with a small identifying attribute, such as a seated Buddha for the bodhisattva of compassion, Avalokiteshvara, or a stupa (funerary monument) for the future Buddha, Maitreya. The head features a mustache, characteristic of most Gandharan bodhisattvas. Between his eyes is a raised circle called an urna that is a sacred marking signifying the bodhisattva’s eminence and enlightenment.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.