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Collections

Unknown
Vibhasa Ragini, Fourth Wife of Megha Raga, Folio from a Ragamala (Garland of Melodies)circa 1660-1675

Not on view
Indian manuscript painting with Devanagari script, showing two figures holding a bow on a red and gold couch inside a blue pavilion, with white birds on palace rooftops and a rooster beside a flowering plant
Artist or Maker
Unknown
Title
Vibhasa Ragini, Fourth Wife of Megha Raga, Folio from a Ragamala (Garland of Melodies)
Place Made
India, Madhya Pradesh, Bundelkhand or Malwa
Date Made
circa 1660-1675
Medium
Opaque watercolor, gold, and traces of ink on paper
Dimensions
Sheet: 8 x 5 7/8 in. (20.32 x 14.92 cm); Image: 7 x 5 3/8 in. (17.78 x 13.65 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.71.1.41
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Vibhasa Ragini is the fourth wife of Megha Raga in the predominant ragamala (garland of melodies) classification system generally known as the Rajasthani system. It is a sensual melody associated with the dawn.

In this painting, the melody is envisioned as a pair of lovers embracing in a pavilion bedchamber who are disturbed at the crack of dawn by a crowing cock. The hero uses a flower-studded bow to aim a lotus arrow at the intruding rooster to try and prevent the coming of the dawn. Beside the bed are four golden vessels (left to right): betel box (pandan), wine or water flask (surahi), footed bowl, and spittoon (ugaldan). The effaced inscription in the header once described the couple’s amorous dalliance. See also M.79.252.6.

A comparable Vibhasa Ragini, attributed to Orchha, Madhya Pradesh, circa 1640-1650, is in the Museum of Fine Arts, Boston (17.2382).

Selected Bibliography
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.