LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Sudhana with Three Elephants (top), Folio from a Gandavyuha (The Structure of the World)circa 1150-1175

On view:
Resnick Pavilion, floor 1
Illuminated palm leaf manuscript page with dense columns of Indic script flanking a small central painted panel with two figures in orange and blue garments
Palm leaf manuscript, long narrow strip with dense rows of Devanagari or related Indic script in dark ink, two binding holes visible along the center axis, aged tan surface with worn edges.
Illustrated manuscript folio with a blue-dotted ground, depicting a standing male figure in a red lower garment gesturing with one hand, beside a tree and green plant, with two reddish animal figures at right; columns of Devanagari script on both vertical margins.
Artist or Maker
Unknown
Title
Sudhana with Three Elephants (top), Folio from a Gandavyuha (The Structure of the World)
Place Made
Nepal
Date Made
circa 1150-1175
Medium
Opaque watercolor and ink on palm leaf
Dimensions
2 1/2 x 21 3/4 in. (6.35 x 55.24 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.71.1.1a
Classification
Manuscripts
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Gandavyuha (The Structure of the World), written in India in circa 200-300 CE, is a spiritual travelogue of the young prince Sudhana's pilgrimage in search of Enlightenment. It was one of the most important and popular texts of Mahayana Buddhism, though few illustrated examples have survived from South Asia. Illustrations from the text were also depicted on the reliefs of the renowned 8th-9th-century monument of Borobudur in central Java; in the main assembly hall of the mid-11th-century monastery of Tabo in western Tibet, a site associated with the important Tibetan teacher Rincen Zangpo (958-1055); and frequently in China and Japan. See also its series mates M.71.1b-f.

Folios a-c feature pointilistic dots in the background. Typical of paintings from the Kathmandu Valley, the tall, lithe figures are gracefully posed and the drawing is fine and elegant. Even though there is only minimal shading of some receding areas, the quality of line and juxtaposition of colors create an impression of three-dimensional space. A landscape setting for some of the scenes is indicated by the stylized rock form conventions also found in Nepalese sculpture (for example, see M.75.4.15, M.81.23, and M.2002.215).

Selected Bibliography
  • Pal, Pratapaditya. Art of Nepal. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1985.
  • Vajracharya, Gautama V. Watson Collection of Indian Miniatures at the Elvehjem Museum of Art: Detailed Study of Selected Works. Madison, WI: Elvehjem Museum of Art, University of Wisconsin , 2002.
  • Anderson, D. The Aesthetics of Calligraphy. Los Angeles: University of Southern California, 1977.
  • Kramrisch, Stella. The Art of Nepal. New York: The Asia House Inc., 1964.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.