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Collections

Platecirca 1530-1535

On view:
Geffen Galleries
Ceramic plate with white ground and cobalt blue painted decoration, featuring an allover scrolling vine and floral pattern across the central well and rim
Ceramic plate with white ground and cobalt blue underglaze decoration, featuring dense scrolling vine and floral motifs across a central medallion and tiered border bands.
Porcelain dish viewed from below, with a plain pale blue-white base encircled by a wide border of cobalt blue scrolling floral and vine decoration on white ground.
Ceramic dish with white ground decorated in cobalt blue, featuring dense scrolling vine and floral motifs across the well and a wave-pattern border along the rim, in the Iznik tradition.
Blue-and-white porcelain dish with shallow form, decorated overall with dense scrolling lotus and floral vines, bordered by a band of stylized foliate motifs along the rim.
Title
Plate
Place Made
Turkey
Date Made
circa 1530-1535
Medium
Fritware, underglaze painted
Dimensions
Overall (Diameter): 12 3/8 in. (31.5 cm)
Credit Line
Gift of the 2024 Collectors Committee
Accession Number
M.2024.134
Classification
Ceramics
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

In China, the development of porcelain decorated in underglaze blue in the early decades of the fourteenth century had an enormous impact in Islamic lands, both as an imported elite tableware and as a source of emulation. But perhaps the greatest of the Islamic wares influenced by Chinese porcelain are those from Iznik, in western Turkey, such as this beautiful dish. Inspiration would have been close at hand given that the fourteenth- and fifteenth-century Chinese blue-and-white porcelains preserved in the Topkapı Palace, Istanbul, represent some of the finest products of the Yuan and early Ming periods. Significantly, these were not necessarily specifically acquired for the palace kitchen, but many appear to have come in through a form of imperial taxation, suggesting they were also widely owned among the Ottoman urban elite.

The dynamic floral scrolls on the interior and exterior of this dish are clearly inspired by related designs in Chinese porcelain though organized in the more symmetrical manner that suited Ottoman taste. The use of turquoise blue accents, a deep cobalt blue, and a lighter shade of blue portends the expansion of the Iznik palette introduced by the mid-sixteenth century. Not only the decoration but the dish’s shape is indebted to porcelain prototypes. Ottoman archival documents refer to this type of rimless form as a sahn, used to designate a vessel topped with a metal cover, which would keep the food warm on the often-long trek from kitchen to dining room.

2024

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