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© Museum Associates 2026
Collections

Unknown
Mask (kifwebe)Early to mid-20th century

On view:
Geffen Galleries
Carved wooden mask with stylized face, narrow slit eyes, ridged crest coiffure, and wide flanged base with incised diagonal lines
Artist or Maker
Unknown
Title
Mask (kifwebe)
Culture
Eastern Luba peoples
Place Made
Democratic Republic of the Congo
Date Made
Early to mid-20th century
Medium
Wood, natural pigment
Dimensions
19 × 8 × 6 1/2 in. (48.26 × 20.32 × 16.51 cm)
Credit Line
Gift of Woods Davy and Kathleen Dantini in honor of Mary "Polly" Nooter Roberts
Accession Number
M.2023.182
Classification
Sculpture
Collecting Area
African Art
Curatorial Notes

A kifwebe (mask) represents a hybrid of human, animal, and spirit elements operating outside of the natural order of Luba daily life. There are male and female types, but the masks are worn only by male initiates of the esoteric Bwadi Bwa Bifwebe Brotherhoods. Signifying both good (female) and evil (male), the wide variations in this masking type—bold shapes, facial details, juxtapositions of color, striations—embody the arcane energies that may confront individuals and communities. Traditional performances are intended to promote village harmony and enforce social order. The masks are used in funeral ceremonies, new moon rites, witchcraft, and more. In the Democratic Republic of the Congo, performances continue to evolve, occasionally incorporating new elements or types, such as this female example, sometimes identified as “La belle Madeleine,” perhaps a reference to the Mary Magdalen of Christian iconography.

Provenance: Lucien de Velde, Belgium; sold to Victor Crean, Antwerp, Belgium, seller 2001; Christopher Evers, Brussels, Belgium (#538); Roger Bourahimou, Brussels, Belgium; Woods Davy, Los Angeles; gift to LACMA from Woods Davy and Kathleen Dantini, 2023.

Copyright
photo © Museum Associates/LACMA, by Kristina Simonsen