Michael Patrick Cronan

Powercirca 1997

See the Modern Masterpieces of the Pearlman Collection One Last Time in “Village Square”

Grounded: History Is in the Land

This Week at LACMA: David Geffen Galleries Member Previews

All things can be true: Tavares Strachan and Diana Nawi in Conversation

50 Works 50 Weeks: rafa esparza’s “...we are the mountain”

Tipping Points: john gerrard’s Indian Ocean SPIRITS Rise at the Spring Equinox

Step into Spring with Third Weekends at LACMA

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

New Acquisition: 90 Works by Ardeshir Mohassess

Cupid and Psyche: Art History's Original Third-Act Break-Up

This Week at LACMA

Exhibitions to See in 2026

Diffuse Control by Beeple Iteration: Matrix Residua

Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA

LACMA and Genesis Embark on New Multi-Year Partnership

This Week at LACMA

This Week at LACMA

Frances Stark’s Way of Seeing

Exploring Land, Indigenous Histories, and the David Geffen Galleries

50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”

This Week at LACMA

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”

50 Works 50 Weeks: Fra’ Bartolomeo’s “Holy Family”

This Week at LACMA