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Collections

Ricardo Fasanello
Esfera Lounge Armchair1968, manufactured 1974

On view:
Geffen Galleries, Turmoil and Optimism in Latin America
Lounge chair with a spherical espresso-brown glossy shell, camel tan suede interior cushioning, and a circular brushed-metal pedestal base
Lounge chair with a deep-brown spherical shell exterior cradling a tufted tan upholstered seat, mounted on a polished circular metal pedestal base.
Lounge chair with a spherical dark brown fiberglass shell cradling tufted tan upholstered seat and backrest cushions, mounted on a polished chrome disc base.
Gourd vessel with deep brown exterior and tan interior, rounded hemispherical form mounted on a flat circular metal base; a small incised mark visible near the rim.
Artist or Maker
Ricardo Fasanello
Brazil, 1930-1993
Title
Esfera Lounge Armchair
Place Made
Brazil, Rio de Janeiro
Date Made
1968, manufactured 1974
Medium
Fiberglass, polyester resin, suede, and stainless steel
Dimensions
35 1/2 × 44 × 42 in. (90.17 × 111.76 × 106.68 cm)
Credit Line
Purchased with funds provided by the Bernard and Edith Lewin Collection of Mexican Art Deaccession Fund
Accession Number
M.2023.33a-c
Classification
Furnishings
Collecting Area
Latin American Art
Curatorial Notes

São Paulo-born designer Ricardo Fasanello first ventured into the world of design with the dream of creating race cars. After relocating to Rio de Janeiro as an adult, he shifted his focus to furniture production. Instead of employing local tropical woods as did many contemporaneous designers in Brazil, Fasanello experimented with new materials such as fiberglass and polyester resin that were frequently associated with industrial design, often combining them with natural leathers. His resulting sculptural furnishings for the home and office represented a significant innovation for modern furniture in Brazil.


The Esfera (Sphere) lounge armchair, first created in 1968, is one of Fasanello’s most famous designs. The designer employed his signature tortoiseshell fiberglass to fashion a half-sphere in which sit suede cushions. This futuristic design reimagines the silhouette of the chair, reflecting Fasanello’s lifelong fascination with speed and aerodynamics. LACMA’s chair swivels on a stainless steel base, which Fasanello used only in his earliest versions of the Esfera. In later versions of the chair, which remain in production to this day, Fasanello replaced the metal base with fiberglass to make the chair lighter. This Esfera is one of two sold to Brazilian ambassador Italo Mastrogiovanni in 1974. Mastrogiovanni’s pair of chairs traveled the world to the ambassador’s postings in Geneva, Porto, and Abidjan, showcasing Brazilian design on an international scale before returning to São Paulo.


Rachel Kaplan, 2023

Provenance
Italo Mastrogiovanni (1932–2021, São Paulo, Geneva, Porto, and Abidjan), 1974; by inheritance to his wife Mariela Mastrogiovanni, São Paulo, 2021; Andrea Tarnowski Fasanello, Rio de Janeiro, 2022; LACMA, 2023.