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Collections

Fabian Cereijido
Viaje en Leche2012

Not on view
Sepia-toned gelatin silver print, close-up of a face looking directly forward, assembled from multiple overlapping photographic strips with pale, bleached areas around the eyes
Gelatin silver print, photomontage compositing a stone mask with photographic human eyes and facial features, creating a frontal face with high-contrast grainy texture; small lines of Spanish text visible at center.
Photographic print with mottled dark olive-gray surface, two lines of Spanish text centered in a lighter oval area reading "Hola, acabo de llegar a donde estas / Vine viajando en leche."
Artist or Maker
Fabian Cereijido
Argentina, born 1961, active Los Angeles
Printed by
Francesco Siqueiros
active United States
Publisher
El Nopal Press
United States, California, Los Angeles
Title
Viaje en Leche
Date Made
2012
Medium
Photolithograph on glass
Dimensions
13 × 9 1/16 × 1/16 in. (33.02 × 23.02 × 0.16 cm)
Credit Line
Purchased with funds provided by the Ralph M. Parsons Fund and the Prints and Drawings Special Purpose Fund
Accession Number
M.2022.240
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes

Fabián Cereijido escaped the military dictatorship in Argentina as a teenager, migrated to Mexico with his family, then settled in the United States in 1984, ultimately obtaining dual citizenship as an Argentinian-born American. In Viaje en Leche (Voyage in Milk), he explores displacement and rebirth, referencing an earlier self-portrait video work in which he submerged himself in a milk bath and rose to the surface. Here, Cereijido has used the printmaking process to reproduce his emergent face, capturing the image on glass or acrylic rather than traditional paper. His face emanates from what resembles a milky bath—made legible by the reflection of a white background placed behind the clear substrate. The tiny Spanish words inscribed in his mouth are noticeable only when looking closely: “Hello, I just arrived to where you are / I came swimming in milk.”

For Cereijido, milk is the universal source of life and nourishment, but also a liquid that conceals darker depths. Although his eyes are visible here, the artist has relayed that when he opens them while submerged in milk, he perceives only darkness, not the whiteness one would expect, a dichotomy that is central to his self-portrait.

Claudine Dixon

2023

Selected Bibliography
  • Schillo, Eve, and Claudine Dixon. Before You Now: Capturing the Self in Portraiture; Ante Usted: La Captura del Ser en el Retrato. Los Angeles: Los Angeles County Museum of Art, 2024.
Copyright
© Fabian Cereijido

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