LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Pablo Picasso
Portrait of Sebastià Junyer Vidal1903

On view:
Broad Contemporary Art Museum, floor 3
Oil painting of a mustachioed man and a bare-shouldered woman at a café table, rendered almost entirely in deep blues and teals with two small accents of orange and yellow
Artist or Maker
Pablo Picasso
Spain, 1881-1973, active France
Title
Portrait of Sebastià Junyer Vidal
Place Made
Spain
Date Made
1903
Medium
Oil on canvas
Dimensions
49 3/4 x 37 in. (126.365 x 93.98 cm)
Credit Line
David E. Bright Bequest
Accession Number
M.67.25.18
Classification
Paintings
Collecting Area
Modern Art
Curatorial Notes

This portrait of Picasso’s close friend and fellow artist exemplifies the artist’s Blue Period of 1901–4. Sebastià Junyer Vidal was a near-constant companion when Picasso was moving between France and Spain in the early 1900s, and the subject of a series of caricatured, bawdy drawings placing him (and sometimes Picasso himself) in the company of sex workers. Here, Junyer Vidal is heavily outlined and solidly worked in the characteristic blues and greens of Picasso’s other paintings from the Blue Period, while the unidentified woman wearing a red flower in her hair is much more hurriedly rendered. In 1975 LACMA’s painting conservators discovered the figure of a dog painted underneath what eventually became the woman and café table, providing some explanation for the difference between the two figures.


As a native Spanish-speaker (Picasso moved to Catalan-speaking Barcelona at age fourteen), the artist inscribed this portrait to Junyer Vidal in the bottom right of the composition using the Spanish spelling of his friend’s name.


Wall label, 2021.


Provenance
The artist (1881-1973). Sebastián Juñer Vidal, Barcelona until at least 1958. Carlos and Xavier Junyer, Perpignan. Frank Gabriel Dereppe, Lugano. David E. Bright (1908-1965), Los Angeles before 1961; bequeathed 1967 to LACMA.
Selected Bibliography
  • Muchnic, Suzanne. LACMA So Far: Portrait of a Museum in the Making. San Marino, California: Huntington Library, Art Collections, and Botanical Gardens, 2015.
  • Schiff, Gert. Picasso At Work At Home: Selections from the Marina Picasso Collection with additions from The Los Angeles County Museum of Art and The Museum of Modern Art, New York. Miami: Trustees of the Center for the Fine Arts Association, 1985.
  • Cowling, Elizabeth. Picasso Portraits. London: National Portrait Gallery, 2016.
  • Magaloni, Diana and Michael Govan, eds. Picasso Rivera: Conversations Across Time. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books-Prestel, 2016.
  • Magaloni, Diana, Michael Govan, and Miguel Fernámdez Félix, eds. Picasso & Rivera: Conversaciones a Través del Tiempo. Mexico City: Instituto Nacional de Bellas Artes; Los Angeles: Los Angeles County Museum of Art, 2017.
  • Picasso: Bleu et Rose. Vanves: Éditions Hazan; Paris: Musée d'Orsay, 2018.