LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Mounira Al Solh
My specialty was to make a peasants' haircut, but they obliged me work till midnight often2015-2017

Not on view
Print on cream paper mounted on kelly-green fabric, depicting two symmetrical female figures in black ink with red lips, flanked by Arabic script above and below
Textile work with a cream fabric panel stitched onto a larger bright green cloth, pinned to a white wall. The panel features two drawn female figures side by side, each with red lips, flanked by leaf-like forms, enclosed in a circular arrangement with lines of Arabic script above, below, and beside the figures.
Ink drawing on white paper mounted on green fabric; two standing female figures in matching patterned crop tops and skirts, with red lips and hoop earrings, flanked by green leaf motifs; lines of Arabic script above and below the figures.
Embroidery on cream fabric depicting two figures in decorative garments and jewelry, with green embroidered leaves and Arabic script in red and black thread throughout the composition.
Artist or Maker
Mounira Al Solh
Lebanon, born 1978
Title
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Date Made
2015-2017
Medium
Hand and machine stitched embroidery
Dimensions
35 3/8 × 40 1/8 in. (89.85 × 101.92 cm)
Credit Line
Purchased with funds provided by Art of the Middle East: CONTEMPORARY
Accession Number
M.2020.6
Classification
Textiles
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes
Born in Beirut to a Syrian mother and a Lebanese father, Mounira Al Solh grew up in Lebanon but took refuge in Syria during the
Lebanese Civil War (1975–1990). Eventually the artist returned to Beirut, where she was living during the outbreak of the Syrian
War in 2012 and the influx of refugees to the city. Encountering those who fled the war, Al Solh recalled her own period of displacement
and began a series of drawings documenting her conversations with the new refugees. In some cases, as here, she embroidered her drawings and snippets of the person’s story onto textiles. In this work, a mother and daughter stand side-by-side, and the surrounding text reads, “Me and my daughter escaped in a weird way/The men at the checkpoint were choosing between us,” and “At weddings, we wear the same dresses/Believe me, they don’t know who is the mother and who is the daughter.” Al Solh now divides her time between the Netherlands and Lebanon.
Selected Bibliography
  • Komaroff, Linda, Stephanie Rouinfar, Sandra Williams, and Sarah Mostafa Ahmed. Women Defining Women in Contemporary Art of the Middle East and Beyond. Los Angeles: Los Angeles County Museum of Art, 2023. https://archive.org/details/women-defining-women (accessed January 12, 2024).