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Collections

Ashurnasirpal II and a Winged Being9th century B.C.

On view:
Geffen Galleries, floor 3
Ancient Near Eastern stone relief panel with two bearded, winged figures in profile, wearing horned headdresses and fringed robes, one holding a bucket, one holding a bowl, with cuneiform inscription across the center
Assyrian stone relief panel depicting two figures in profile: a winged figure at left with curled beard and feathered wings, and a crowned figure at right holding a staff, both wearing fringed robes with finely incised detailing. A column of cuneiform inscription runs vertically at right.

Unknown, Ashurnasirpal II and a Winged Being, 9th century B.C., Los Angeles County Museum of Art, Purchased with funds provided by Anna Bing Arnold, photo © Museum Associates/LACMA

Title
Ashurnasirpal II and a Winged Being
Place Made
Northern Iraq, Nimrud
Date Made
9th century B.C.
Period
Neo-Assyrian
Medium
Alabaster
Dimensions
97 1/2 × 84 1/2 × 5 1/2 in. (247.65 × 214.63 × 13.97 cm) Weight: 1 Ton 1902 lb. (1769.9 kg) Mount: 12 × 84 × 18 1/4 in. (30.48 × 213.36 × 46.36 cm)
Credit Line
Purchased with funds provided by Anna Bing Arnold
Accession Number
66.4.3
Classification
Sculpture
Collecting Area
Art of the Middle East: Ancient
Curatorial Notes

This splendid panel is one of a group of five low-carved reliefs (see also .2, .5) from the northwest palace of the Assyrian king Ashurnasirpal II (r. 883−859 BCE), at Nimrud (ancient Kalhu). Located on the Tigris River in northern Iraq, the site was first excavated by Austen Henry Layard, an English diplomat, politician and archaeologist, in 1845. Built of mud brick on stone foundations, the lower interior levels of the palace were decorated by an extensive sequence of alabaster slabs that were carved in place and originally painted in black, white, red, and blue. Depicted with remarkable detail, this panel portrays the king with a libation bowl in one hand and a bow, symbol of royal prowess, in the other, with a winged supernatural being following behind. Here and across the center of the other panels is a repetitive cuneiform inscription enumerating the king’s accomplishments.

The LACMA reliefs were discovered in adjacent rooms; this panel and 66.4.4 from the other. In 1855, William Kennett Loftus, who had succeeded Layard, offered the panels to the Literary and Philosophical Society of Newcastle upon Tyne, England, and for more than a century they were displayed near the entrance of that institution. By the 1960s they had come on the art market and were subsequently acquired by Anna Bing Arnold for LACMA in 1966.


Selected Bibliography
  • Los Angeles County Museum of Art. New York: Thames and Hudson, 2003.
  • Mousavi, Ali. Ancient Near Eastern art at the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2012.