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Collections

Altar Frontal with scenes from the life of St. John the Baptistcirca 1600

Not on view
Large horizontal embroidered textile panel in crimson, gold, and blue, featuring three oval narrative medallions surrounded by dense gold scrollwork and acanthus foliage, with a narrower embroidered band along the top
Embroidered textile panel on crimson velvet, featuring a central oval medallion with a finely worked figural scene in gold and silk threads: a kneeling figure being blessed by a standing robed figure, with additional figures and a dove above in clouds. The medallion is framed by gold and blue scrollwork embroidery with applied gemstones, and the deep red ground is decorated with raised goldwork foliage and grape clusters. Gold fringe borders the top edge.
Embroidered textile panel with a central oval needlework scene depicting several haloed figures seated beneath a green draped curtain, surrounded by densely worked gold and crimson embroidery with scrolling acanthus leaves, grape clusters, and applied jewel ornaments; gold fringe visible at top edge.
Embroidered textile, likely a vestment or altar frontal, with a central oval medallion depicting multiple figures including a robed figure kneeling and an angel, worked in fine silk and metallic gold thread; deep crimson ground surrounding the medallion is densely embroidered with scrolling acanthus foliage, candelabra, and fruit clusters in gold and polychrome silk; gold fringe border at upper edge.
Title
Altar Frontal with scenes from the life of St. John the Baptist
Place Made
Italy or Spain probably for Malta, Valletta
Date Made
circa 1600
Medium
Gold metallic threads and multi-colored silk embroidery on silk velvet; semi-precious stones
Dimensions
Frame : 55 × 116 3/4 × 4 1/4 in. (139.7 × 296.55 × 10.8 cm)
Credit Line
Costume Council Fund
Accession Number
M.66.71
Classification
Textiles
Collecting Area
Costume and Textiles
Curatorial Notes
This elaborate altar frontal was made for the church of Valletta dedicated to John the Baptist on the island of Malta. The frontal bears three large medallions with scenes from the saint's life. At right, John is born, a scene combining, with typical Renaissance sensibility, homely detail with spiritual significance: John's mother, St. Elizabeth, is attended by angels and by women who offer her sweetmeats. At center, Christ is baptized by John in the Jordan River. At left, John reproves King Herod, whose daughter, Salome, will later take revenge by demanding the saint's head, one of the New Testament’s most famous episodes.
These primary scenes, framed by gemstones set in the borders, are surrounded by five smaller medallions. Four have iconic themes, but the lower right depicts a Maltese bishop blessing the donors of this altar frontal, emphasizing the fact that it was made for a particular chapel. It is not certain that the altar frontal was actually made in Malta; it may have been commissioned in Italy or even Spain in order to obtain the skills of a professional embroidery workshop equal to the elaborate task.
The frontal is embroidered in gold and silk threads on a red silk velvet ground. Its scrolls and floral motifs recall the larger vocabulary of Renaissance architectural ornament, but smaller details of the background design are symbolically appropriate to the altar and the celebration of the mass. For example, the bunches of grapes near the lower border would suggest to a Renaissance viewer not only the sensuous beauty of God's bounty but also the wine of the Eucharist and Christ's sacrifice on the cross.
Selected Bibliography
  • Maeder, Edward. 600 Years of Embroidery from the Permanent Collection: 1380-1980. Los Angeles: Los Angeles County Museum of Art, 1982.
  • Maeder, Edward. Renaissance: Costumes and Textiles 1450-1620. Los Angeles, CA: Los Angeles County Museum of Art, 1979.
  • Price, Lorna. Masterpieces from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1988.