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Collections

Doyle Lane
Vasecirca 1965

On view:
Geffen Galleries, Earth and Water
Hand-built ceramic vessel with a large, irregular spherical body, short narrow neck, and matte glaze in coral-red clusters over a dark charcoal-brown ground
Three ceramic vessels against a white background: a large spherical vase at left with crackled red glaze and ribbed texture; a tall cylindrical cup at center with heavily textured, roughly applied clay surface over a ribbed pedestal base in warm brown tones; and a small flattened round vessel at right with mottled green and yellow glaze.
Artist or Maker
Doyle Lane
United States, active California, Los Angeles, 1923-2002
Title
Vase
Date Made
circa 1965
Medium
Earthenware
Dimensions
Overall (Diameter): 6 1/2 × 7 in. (16.51 × 17.78 cm)
Credit Line
Gift of the 2018 Decorative Arts and Design Acquisition Committee (DA²)
Accession Number
M.2018.110.2
Classification
Ceramics
Collecting Area
Decorative Arts and Design
Curatorial Notes

Doyle Lane was a studio ceramist and artist whose work ranged from vessels to large-scale tile murals. Born in Louisiana, Lane settled in Los Angeles by the early 1950s, where he worked as a glaze technician for the L.H. Butcher Company. He studied at Los Angeles City College and East Los Angeles College before attending the University of Southern California, where he probably took courses with the noted American ceramist F. Carlton Ball. Working in his El Sereno studio, Lane prolifically produced vessels and experimented with glazes. He is known for his wide variety of glaze effects, including vivid apple green, volcanic yellow-green, and a reddish-orange "orange peel." He often manipulated the surface of the clay to create mesmerizing patterns and gestural effects. Lane also made clay paintings, applying glaze to clay slabs fired under high temperatures that resulted in vivid color combinations and textured surfaces. As an African American craftsman working in Los Angeles in the mid-20th century, Lane found that artistic opportunities were limited—he could not show in the mainstream galleries and did not have access to influential collectors. However, he prevailed over these obstacles, focusing on commissions for architects such as A. Quincy Jones, and selling work through the Brockman Gallery and Ankrum Gallery, which showcased Black artists. This piece came from the son of a Los Angeles schoolteacher who bought classroom supplies from Lane, and occasionally bought his work.

Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator, Decorative Arts and Design, 2018