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Collections

Ilmari Tapiovaara
Domus armchairdesigned 1946

Not on view
Midcentury wingback armchair with honey-toned wood frame, tufted cocoa-brown upholstery, and gently flared wing extensions at the top of the backrest
Armchair with a curved molded plywood backrest in pale birch, rounded armrests, and a brown patterned upholstered seat cushion on a light wood frame.
Molded plywood lounge chair in light birch, photographed from the rear, with a curved wingback shell, integrated armrests with cutout handholds, and four straight wooden legs.
Artist or Maker
Ilmari Tapiovaara
Finland, 1914 - 1999
Artist or Maker
Annikki Tapiovaara
Finland, 1910 - 1972
Manufacturer
Keravan PuuteoIlisuus
Finland, Kerava
Title
Domus armchair
Date Made
designed 1946
Medium
Plywood and cotton
Dimensions
33 1/2 × 23 1/8 × 25 in. (85.09 × 58.74 × 63.5 cm)
Credit Line
Gift of Debbie and Mark Attanasio, and Viveca Paulin-Ferrell and Will Ferrell through the 2017 Decorative Arts and Design Acquisitions Committee (DA²)
Accession Number
M.2017.232a-b
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

Finnish designers Ilmari and Annikki Tapiovaara won a 1946 competition to furnish a student dormitory at the University of Helsinki, known as the Domus Academica competition. The furniture, including this armchair, was durable, functional, and made of Finnish birch, which was available in abundance, even in the hardscrabble years after World War II. Like Charles and Ray Eames’ plywood chairs developed slightly earlier, Tapiovaara’s plywood furniture was molded in three dimensions, allowing for a more comfortable and ergonomic seat.

The university commission led to mass production by the Finnish firm Keravan Puuteollisuus and the Domus chair was adopted throughout Finland for schools, cafeterias, and auditoriums. In 1951, the American modern furniture company Knoll Associates, Inc. began to import the side chair into the United States, marketed as the "Finnchair." The Tapiovaaras also designed the inventive packing and packaging. The chairs shipped disassembled, so that ten chairs could fit in one cardboard shipping box that measured a quarter of a square meter ( predating the IKEA flat-pack). The chairs were also designed to stack, giving them additional functionality. This example is the armchair model, sometimes known as the "Domus Deluxe." It came from Tapiovaara’s own studio and retains its original upholstery.

Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator, Decorative Arts and Design, 2017

Selected Bibliography
  • Tigerman, Bobbye, and Monica Obniski. Scandinavian Design and the United States, 1890-1980. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books-Prestel, 2020.